This is what I was up to on the weekend. I have begun working on my submissions for the AB in a Box show and so far, this is what I came up with.
This first pic shows the piece just after I threw it.

The next couple of pics show 2 different bowls that have been carved. I will go back and refine them with a green scrubby to remove any rough spots and blend in the carving marks.

The Weather Outside is Frightful...

Well, maybe not frightful, but it is a bit chilly (-13 C with light snow). I was walking the pooper again last night, and we walked and walked until my fingers were about frozen off. Then this morning, she decided that she wanted to go for a long walk. I said NO to that idea. My hair was still wet or rather frozen, and I was not having any of that foolishness, plus I had to go to work, and if I am not out that door by 7:30, then I am late. It doesn't matter what rout I take, it is always the slowest one. It's like picking which line up to get into at the grocery store. You could pick the shortest one there, but then it will screech to a halt as the cashier needs a price check and the 15 yr old kid that comes to see what they need a price on doesn't know where to look and so it goes...the long line up has put twice as many people through as the line you are now in, but you dare not move, 'cause as soon as you do, the line you were just in will fly on through and the one you moved to will stop. My fingers are itchin to get back at some serious studio time. I will probably be in the studio on Christmas eve, Boxing day, and then every day after that right up to and including Jan 3^rd. I think I am going to need to get some clay though. I'm thinking 200lbs or so should just about cover my needs, maybe 250.

Did you just take what I thought I saw you take?

I was teaching my usual class last night, and the class was moving along and one student was perusing the ware shelves looking for their recently glazed pieces.  They picked up a small cup that out of the corner of my eye, looked suspiciously like one of my glaze samples. As I am not one to jump to conclusions, I try not to jump into accusation mode right away. I tend to suffer from the dreaded foot in mouth disease, so I keep said mouth shut when I feel an attack coming on. Admittedly, I had left it on the shelf for quite a while, as I didn't like the result, and was never going to sell/use it as a functional cup, and I had not signed it, it’s a test. I didn’t think anything of it, but by the end of class, after everyone had pretty much left, I remembered what I thought I had seen, and went to investigate. I was right, that test bowl was gone. So...why would you take something that clearly is not yours? I don’t mind that this student took it, but I do mind that this student (avoiding gender here so as not to single them out, just in case I am wrong) did not ask.
The funny thing is that the glaze was way too dry and rough feeling and was not pleasant to hold. It had a somewhat appealing colour (straw yellow?) but that was it’s only redeeming quality.

Plus, if you are going to steal something, why not go for the good stuff? That reminds me of when I used to work for a little liquor store about 14 years ago. It was attached to the restaurant right beside it (same owners) and I ate way too many french fries and chicken fingers that summer. Anyway, I came to work one day and the boss was telling me about how the liquor store had been robbed over night. Whoever it was broke into the store, looked for the safe, decided that a safe that was concreted into the floor was probably not the easiest thing to take and proceeded to steal liquor and beer. Here’s the funny bit....they stole all the cheap liquor....Grant’s Scotch Whiskey and the really cheap vodka that comes in a large plastic bottle, not the Glenlivet, or Glenfiddich (one shelf up dummies) or the good vodka, and then, they stole beer, but again, bypassed the micro brew stuff and went for Labbatt Black Label and Lucky Lager Strong. I learned a lot that summer working at the liquor store. Lesson numero uno....never become a regular at a liquor store, and the other lesson....don’t spray beer in the eye, it stings, a lot. Oh ya, one other lesson learned, when you come weaving your way into the store and buy 2 mickeys of vodka, it doesn't mean that you are not an alcoholic because you didn't by the 26er. That is like saying I'm only going to drink half now and half later....when I wake up and peel my face off the toilet seat. I could expound more on the joys of plying liquor as a trade, but it really never got much better than that. My sister is a bar tender at one of the best pubs in town, and I am sure that she has way better stories to tell.

dog crack

I mentioned before that I am dog sitting for the next little bit while my parents are in Toronto. Well, this is the pooper. Here she is sniffing every molecule in and around that lamp post,

This is Ginger eating a cookie, cause she ate all her crack

And this is the Crack! Dehydrated Duck breast. She would do anything for this stuff.

My 1st Etsy purchase....

...And Ron Philbeck's 100th sale. I did some last minut online Christmas shopping yesterday and this morning I discovered that it was a milestone transaction for Ron. I can't say anymore as my family reads this blog and I don't want them to see what they are getting for Christmas (unless I just love them so much I need to keep them for myself!)

Whew!

I found my legs! I have installed my whisper in the studio to replace the wheel we were using that had a mysterious palsy when on the slowest speeds. I didn’t know how much I missed my whisper until I used it yesterday. Not a sound, not a shake, just pure throwing bliss.

I didn’t get much thrown, just a large plate and a few mugs and then I had to go make sure that Ginger had not peed on the carpet while I was gone.

I can't find my legs!

Sounds pretty serious! I have been storing my Shimpo VL Whisper in my parent’s garage for the last few years (tiny condo does not = pottery studio). Anyway, I am going to take it over to the studio so that it can get some use, and so that those of us who demonstrate are not trying to do it on a spastic wheel. The wheel we are using now starts shuddering at slow speeds (not sure how to describe it). It is as if the belt is slipping, but it isn’t. Anyway, it makes us raise at relatively unsafe speeds and things can tend to go awry if you are not dead centered the whole time.

So the wheel is in their garage, but I can’t seem to find the legs. I kept them in a tool box that was just the right size for them, along with the t wrench for removing the wheel head and the Allen key for attaching the legs. So, long story short, I can’t find my legs!

Good News and some random micro/macro economic ramblings etc

I have just been in contact with a potential new gallery to show/sell my work. I won’t divulge too many details until I have it all worked out, but they want to buy them outright instead of on consignment which is how the other two galleries I am in operate. They will take a few pieces at a time and order more as needed, so hopefully this works out. The only minor glitch is that they are located in the Crowsnest Pass (about an hour and a half drive South from Calgary). As I work during the week, delivery on a week day is impossible. I could ship all the orders, but that eats into my profits. They do drive to Calgary every so often and could pick up, and that would be a good option. If they take delivery on a weekend (Saturday), then I would not mind driving it down myself. I love the drive down the 22. If this works out then I will have been accepted into my 3^rd gallery without having to really work for it. So far it has been via introductions from 3^rd parties. Galleria took me on when my teacher recommended me and Centennial invited me to join after I took part in a group show there (I was invited into the show by a friend who is a member). This time I was introduced to the gallery via one of Dave’s students that no longer attends Fairview, but she works in the Crowsnest and joined the Pass pottery club down there for convenience. She thought of me when her friend who owns this gallery approached her about new potters to get into their shop. I like not having to work too hard to get representation. One of my biggest faults is that I do NOT like to toot my own horn, and as a result, have never approached a gallery cold. It could also be that I am too busy (lazy? scared of rejection?) to do the legwork...

Anyway, on a somewhat related tangent, it has become apparent that pottery sales, at least as far as craft sales go, have been fantastic this year. Not only did Fairview Studios break a sales record this year, apparently so did the Northmount Pleasant sale and many of the potters that get supplies at CC were saying that the large shows they have been in have been fantastic as well. So...my hope is that this demand for handmade pottery will trickle down to the galleries. I have to say that for the past few years, I have not relied on galleries for any sort of reliable source of money. Perhaps the pendulum is swinging back towards the handmade side of things and people are starting to realize that just because it is cheap doesn’t mean it’s a good deal. I think that consumers these days are very conscious of where their money is going, who is reaping the benefits, was it ethically manufactured, safety etc. It seems these days that every time you turn around there is another story in the news about toxic/tainted food, manufacturer recalls, lead in your plastic toys, mercury in your fish etc...Also, if you buy the cheap mass produced product from an overseas company, your money goes over seas too...and eventually we are out of a job. Not that if all potters in N.America went out of business the economy would collapse, but it would be a very sad day indeed. Not to mention that when we make money, that money is then spent in the community (for the most part anyway). So, I am hoping that this buying handmade is a trend, and not an outlying blip.

On a less boring and slightly humorous note...I got an e-mail from one of my Mum’s friend’s that reads this blog (one of the few that do I am sure). She had read my blog about perhaps getting an Etsy store up and running and she wanted to warn me to not get my stuff posted on regretsy.com I had never heard of this before and it is hilarious. So, if you have a warped sense of taste, check it out. I guess it is mostly stuff that people have purchased from Etsy, but this stuff falls into the realm of failed crafts.

out of the kiln

Emptied the glaze load last night, and for the most part I was happy. All of the pitchers and utensil holders that I had on order were all successful. No glaze drips, crawling, pinholes, spalling, cracks. I had some issues with a new glaze I am testing out. It is a commercial stoneware glaze that Ceramics Canada brings in. It comes in a 5lb bag and all you have to do is add water and stir, sounds easy. Well, for the most part yes, but as with any commercial glaze, you never know what you are going to get, as their test tiles in the store usually don’t look anything like what it does on an actual piece. I have  discovered that this cinnabar needs to be on really thick to get a nice rich red, instead of a thin ketchup look. Ketchup is nice in your burger, but not on your teapot. So, I will have to fire that one again to get it to look a little less like ketchup. I pulled a total rookie move too. Apparently I should not be allowed to glaze when tired or rushed. I had a tall canister in there that looked like it fired pretty well, but the lid was stuck. I usually just have to give it a tap and Bob’s your uncle. This time, no such luck. I peered in the space betwixt the lid and the rim, and I could see the faint glimmer of a bit of glaze in there. How the heck did that happen, I always clean that area really well after glazing to avoid just this problem. So, knowing it was a lost cause, I stuck a slot head screwdriver in there and popped the lid off (and part of the rim). What did I see? I had totally forgotten to wipe this lid clean. I must have put it on the jar and said “I’ll get to that in a moment” and then promptly forgot and loaded it that way. What a moron. Oh well, such is life. I didn’t really like the glaze that much anyway.

Here are some pics of some of what came out of the kiln.

Just some pitchers all lined up

Tea pot using Kanthal wire as my knob (not sure I like it, but I have never done that before, so what they hey) I might try using a thinner gague high temp wire next time.

Here's the ketchup teapot. Looks ok from this angle, but the glaze on the lid is a little thin, and you can see that same thin looking glaze on the top side of the spout.

Hand built butter dish

Cider jug with stopper. Although, I am sure you could put other potent potables in there too.

Where did the weekend go?

I got the bisque loaded on Friday night. I worked at CC on Saturday but went into the studio for a bit to trim some pots and attach handles to a couple of teapots etc. I spent the day on Sunday glazing pots and loading them in the kiln.  I went to my parent’s house for dinner (roast beef, boiled baby potatoes, carrots, green beans, pickled beets. Then I got schooled on how to make the dogs dinner, what pills and powders and drops she gets and how often, etc. I begin dog sitting on Wednesday, and I have a ton of stuff to do between now and then. I think I might skip Jazzercise tonight. I need to find a Christmas ornament for my gift exchange at CC, I have to buy some food for the pot luck at work tomorrow and I need to pack my clothes and other essential for my dog sitting stint. I am teaching on Tuesday night, and will not have time to do it tomorrow.

 

Further adventures in dreamland

I got my new computer home last night, and I love it. It is much more functional than my 17 inch paper weight. The screen is fantastic, and everything is so crisp and clean. Now the transfer begins. It’s going to be a bear though. My pc laptop has power cord issues, so I have to use battery power. I use an old laptop that has screen issues to charge a spare battery while I am using the laptop with power cord issues. I only get about 1.5 hours of working time per charge, and then it is less if I am doing things like copying files, burning cd's, etc...so, I see a lot of hair pulling in my future as I attempt to get all my files off of it and onto my new one, especially the media files like pictures, and music.

Didn’t say too much in my dreams last night, I saved up 1 sentence for the very end around 6am, and again, I have no recollection of the dream but here’s a transcript...”I’m not sure what the hourly rate is...I’m not going down to that...thing....jfkldaj” Not too sure what that was about...

It was obviously somewhere I really did not want to go, and I said “thing” with a bit of derision in my voice, like it was totally beneath me, and why would I ever go there. I find it funny that even in my sleep, I sound totally coherent. I sound as if I am completely aware of what I am saying.

Loading bisque load tonight. I am not sure if I have a full load, but I need to fire this weekend regardless, as I need to load a glaze on Sunday if I am going to get my orders out in time.

This is the sky last night as I was driving home

Guess what!!!

I am writing this post from my new puter...now I just gotta stop with all the PC habits. I think I am going to need a right click mouse though.d

Christmas crunch and other stuff

I had something really super intelligent to say today. At least that is what I thought when I went to sleep last night. However, it appears to have leaked out of my brain while I was sleeping. I’m still using the sleep tracker app on my iphone in an attempt to record my dreams. Apparently we won 831 to 2. I’m not sure what we were playing, but man did we cream the other guys.

I will be loading a bisque tomorrow evening, as I need to get some orders finished before Christmas and this will be my last opportunity to get everything done in time.  I will be dog/house sitting for my parents while they go off to the Centre of the Universe (Toronto) next week, and I am foreseeing that I will not be able to get much studio time in there. Ginger is a 14 yr old German shepherd cross (what she was crossed with, we are not sure, perhaps a pig). She came from ARF (Animal Rescue Foundation), and so her pedigree is a bit uncertain. Anyway, as you can imagine, she is old, somewhat blind, mostly deaf, and very arthritic. She does still think she is a puppy though. She has Cushings disease and is prone to incontinence. Oh yeah, she is on heart medication for this disease that is a diuretic. I am imagining a lot of carpet cleaning in my future, especially because I work days and will have to pee her early in the morning when I wake up, then again before I leave, and then I will have to rush home to pee her at lunch, and then again when I get home, and then again after dinner and then again before bed, and then again just before bed, and I am sure again in the middle of the night. But I love her, and what can you do?

And look what just came!!!

random blather

I’m must be gettin old. I missed 5 weeks of my exercise class that I go to on Monday nights. I was teaching at the studio for several weeks, then it was my Dad’s 67^th birthday, and I couldn’t miss that. Then, it got so bleeding cold here, the last thing I wanted to do was slip and slide my way to class to get all sweaty and then go back into the cold and have my sweaty hair freeze. Anyway, I went to class last night and then went to bed early (is 8 hours and 53 minutes of sleep too long?). Today, my back is killing me, my left ankle and foot hurt and I have to go teach a pottery class tonight. Wow, I sound crabby, I’m not, I’m just sayin, getting old sucks! I’m not even that old, but I sure feel every one of my 39.5 years today.

There is a pretty strong Chinook arch today, so the weather should be mild (0 Celsius?)...much better than the -29 Celsius last week (It makes you feel like wearing shorts when the temp rises 30 degrees over night) but the Chinook related headaches are a pain. I never used to get them, but I started getting them last year and now I know what everyone else complains about.

The mountains are very clear today, they are right there, in your face and bright and toothy.

Not sure what I am going to demo tonight. Lately I have been making a mess of my demos instead of inspiring creativity. My bowls have flopped, my facets have ripped open, the elongated platters rip in half as I am “dramatically” stretching them out on the canvas table, and my slip trailer develops a case of gas and barfs slip all over the freshly decorated plate (at the very end of course so that I have to try and scrape it all off or just try to blend the burp into the overall pattern). Maybe I will stick with what I do best (bowls), how boring....I need to replenish my stock of everything, so perhaps it will be casseroles tonight, or pitchers with fancy rims....who knows, I will find out when I get there. I need to buy some clay too, so first thing after work I will be off to CC and pick a box or 2 up.

On a non clay note, my computer should be here in 3 days (Yippee!!!). Can’t wait!!!

I have been reading a few discussions in the blogosphere regarding the pro’s/con’s of selling via Etsy. I posted a while back that I was thinking of starting up an Etsy account, but the master procrastinator that I am, I never got around to it. Now that I will have some enhanced technology, and if I can get around to setting up a mini photography studio in my condo, I might give it a try. I will take all the sage advice that is being offered on this topic and hopefully put it to good use when I get my shop up an runnin. I really need to get some proper shelving in my “store room” at home. Right now it is a disaster zone with pots all over the floor amidst wrapping paper, painting supplies, an easel with an UGLY painting on it, and other sundry crap.

Enough rambling and babbling,

TTFN (What?, Did I just say that?)

Maybe I should say something like:

Make pots purposefully and make purposeful pots.

Nah, how about:

Go get dirty...

kinda funny and not pottery related at all

I downloaded an app onto my iphone the other day called “Sleep Tracker”. The idea is that when you plug your phone in and lay it beside you on your bed at night, it will monitor your movements (thrashing/flailing) at night and listen to the sounds that disturb you (ie: babbling, snoring, burglers, aliens etc...). Then, when you wake up, you can look at your sleep patterns in a graphical format and actually listen to what noises woke you up, or that you made. I turned it on Saturday night and this is a transcript of my night....snoring, snoring, snoring (I have to admit it, I do snore...a little), rustle rustle, mumble mumble mumble....”fhaoptjgksau everywhere....They’re Everywhere” (I sounded a little scared there) “ha ha ha ha” (couldn’t have been that scary ‘cause I laughed right afterwards)...got a little boring for a while, just deep sleep, and then....”hpepjaehse epilepsy and stuff”.....(WEIRD)

I thought this would be a neat little app. I know I talk in my sleep, & I have actually woken myself up in full conversation. I have not been remembering my dreams lately either. Sometimes my dreams are quite vivid and I will remember them clearly the next day, but not so much now. I thought this would jog my memory if I could listen to what I say at night. So far, not so much, but it was funny to listen to. I also thought I might be able to figure out why I wake up in a twisted knot of sheets and covers. I must wrap them around me really tight and then roll over and over and over until they are a hopelessly twisted mess....no clue yet as to how that happens.

pots in progress

Except for those pitchers, it has been a while since I have posted any pictures. This is some of what I have been up to lately

This is one of the 4 large plates I threw this weekend with a lot of slipped dots etc. This was the 2nd reincarnation of this pattern as the first time was obliterated by the plastic when I was loosely draping it. After I got the slip on again, I concocted an elaborate tent for it to rest under over night.

This is a funky little butter dish I was working on last week

A tea pot from last week as well

A vase from last week too

A funky tray

More teapots in progress. I trimmed and assembled these on Sunday, and then I threw a couple more.

Christmas is coming early!

I bought it this morning! I should have it in my hot little hands sometime between Nov 30 and Dec 6.

What did I buy you ask? I bought a MacBook Pro!

I am very excited!! Can you tell?

So close I can taste it....

Tomorrow is the big day. I am going to buy my computer. I actually don’t know how much it is going to cost right now. I knew, but now I don’t. Apple only has one sale a year, and that is the day after the American Thanks Giving holiday (aka black Friday). I am not expecting anything crazy like half off, but a couple hundred off would be nice. Then...I wait. I’m waiting now, but it’s gonna get worse once the deed is done and I have to wait for the UPS guy to show up next week (?). I am having it delivered to my workplace and then I’m gonna have to wait again to get it home to open it up and start playing with it. It’s gonna be better than christmas and all my birthdays rolled up into one.

This is what I’m proposin to get, they all look the same though, but this one is the 13” macbook pro

This past weekend

Well, I am back from a few days off. I went up to my old place of employment on Thursday to flog some of my wares. I managed to sell most of what was rolling around in the back of my car (you never know when an impromptu pottery sale might break out). Friday was spent in the studio throwing several pitchers and utensil holders, as apparently that is what my old co-workers wanted, and I only had 2 when I went up there, so they want at least 4 pitchers and one wants a good pot to hold wooden spoons. I went to the Telus Art Market on Saturday after work at Ceramics Canada. I go to see what the other potters are up to, and to hopefully glean new ideas. I gotta say, not impressed. There were a lot of jewelry booths (I think there are little children chained up in basements all year stringing beads), foodie booths full of candy, fudge, tapinad mixes, hot sauce sellers, wine stopper makers, cedar planks all dressed up to grill fish on etc, but only 4 or 5 pottery booths. I have seen most of them before, and their booths were tiny and uninspiring (to me anyway).
I then spent Sunday in the studio from 10-3:30 and then went over to my parent's house for an excellent roast beef dins with all the fixins (yams, yorkshire pud, roast potatoe, salad etc). I spent 90% of Monday under the covers. It was so bleedin cold out that I only ventured out to go get some groceries, and then burrowed into my cocoon again as soon as I got home. I must have been either a bear or a caterpillar in a previous life as I did a lot of hibernating and cocoon making.
This is a picture of some of what I threw on Friday and then trimmed on Sunday.

These jugs all have handles now and are patiently drying.

YUCK!!!

I guess winter is here...This is what it looks like from the window at work.
I took this with my phone, so I can only assume that is why it is a little purple. It is actually quite white out there....and cold. It is apparently -13 degrees celcius, but with the wind chill it feels like -20 or so I think.

To Mac or not to Mac, that is the question...

Since I did so well at the Christmas sale this year, I have decided to bite the bullet and get a new computer. I have been using my current laptop as a paperweight for the past 6 months and only using it when absolutely necessary. I have been conducting all my work via my iphone (email, blogging, surfing, etc). The sale on Saturday will give me just enough money to buy a new computer without having to use a credit card. I have decided that the way I want to go is to get a Mac Book Pro. The only thing I have not decided on is what size. They have a 13” model now, but I am waffling and might decide to go for the 15”. I am just not sure if I would actually notice the difference. I am by no means a techie, and there are a few system differences that I just don’t know if I would even notice if I had them or not.

This is the list of Why I want a Mac:

-fantastic battery life (13” has a 10 hour battery life per charge, and the 15” will last 8-9 hours). My computer is currently only running on battery power....pain in the u know what, and it only lasts 1.5 hours per charge.

-backlit keyboard – I love the fact that I do not have to turn a light on to work on the computer.

-excellent screen resolution

-magnetic power cord connection – The reason my current Lappy is not working as it should is the fact that the power cord connection is broken. I have to use my parent’s old one to charge a spare battery while I work. You might ask why I don’t just use their computer....The screen is broken (has a big blue stripe running through it) – both of these issues are not worth the repair costs to fix. The magnetic connection is in itself genius – no more tripping over the cord and potentially damaging the laptop.

-No virus issues

-I can run pc stuff on the mac

-the software included with the computer is actually useful and works.

-Lifespan – Everyone I know that has a Mac has had theirs for way longer than the PC users I know. Therefore the cost over time is actually less for a Mac.

-My opinion, and it is just my opinion, but from what I can tell, you can do way more creative stuff on a Mac. I need to be able to create promotional material (cards, invites, posters) and it just seems that it will be easier and BETTER on the Mac.

 

If you are reading this and are currently using a Mac, please feel free to comment on this. Let me know if you have any suggestions on hardware/software, or if you think that I might not actually need a Mac, that would be appreciated as well.
I have 2 weeks to mull this over. I should have all my sale proceeds by then and I will be off to the Mac store to test drive them, pepper the blue shirted smurfs there with questions and hopefully make a decision and hand over my hard earned cash.

Yahoo!!

Well, we all made it through another “Fairview Studios Christmas Pottery Sale”. This one was by far the most successful Christmas sale EVER. Our Fearless leader Dave (pottery owner and Irish drum maker extraordinaire) has been running this sale for at least 25 years, and he confirmed that our deposits this year were a record breaker. Not only that, but the hall was always full of customers and didn’t stop or die down until 11am. This sale has a reputation for being crazy. The customers always line up early, make a mad dash inside as soon as the doors open (you take your life into your hands if you open that door, you might get trampled). They rush around; fill their baskets, boxes etc and then line up to pay. All told, the sale that officially runs for 3 hours is usually essentially over by 10 or 10:30 AM and then it is like a ghost town for the next hour and a half. This time, we had people shopping right up until Noon. I don’t think there was a potter that didn’t sell well. I know I did well. I had 3 full tables of my stuff, and at the end, it was condensed down to 1, so I guess I sold about 60-70 percent of my work. I was a little bummed coming into this sale as the weekend before I had only managed to sell about 6 pieces at the CCAA sale.

All in all, it was a fantastic event.

Here are a few before shots of my tables. I could definitely work on my display a little more.

21.5 hours to go...

There’s only 21 hours and 30 minutes left until the insanity starts....

The semiannual Fairview Studios Pottery Sale starts tomorrow morning at 9am. I actually need to be there at 6:45 am. Yup, that’s right, 6:45 am. We cannot get into the hall tonight to set up as there is some event going on until the wee hours tonight.

We have a record number of potters in the sale this year (25), which will hopefully equate to record sales. The fall sale always brings in the crowds though. They always begin lining up outside by 7:45 in the morning, and we don’t even open the doors until 9am. They bring suitcases, laundry baskets, boxes etc and it is like a shark feeding frenzy in a pool of baby seals at 9am.

So, if you want to make your way down, the sale is at 848 Cantabrian Dr. SW.

View Larger Map">

I made it out alive...

Dave is finally back! He arrived in town last night and came by the studio to make sure it hadn’t burned to the ground while he was visiting family and friends in Kansas. I guess it was snowing most of the way through (He woke up to the evil white stuff in Billings). As soon as he got to the Canadian border, there wasn’t a cloud in the sky.

He did mention one funny thing that happened to him. I guess he stayed the night in a hotel in a small town somewhere between Kansas and Montana and when he asked for a room, he was told that the pool was not available as the community used it that night. Turns out, they were baptising local residents. Dave was looking at the goings on in the pool through the observation area and someone told him he was welcome to join them. He told him he had already been baptised but the guy said that everyone could use a “retread”. Too weird.

I am glad he is back. 2 weeks of late nights have taken their toll on me.

Oh, one more funny thing...the other day I was driving down a street in my neighbourhood, and a black squirrel darted out onto the road and I could see it was going to get squished by the car ahead of me. I wish I had been able to capture this on video as it was quite amazing. The squirrel did a hand stand. He stopped but the momentum of his body kept moving his back end up and over his head, and then he twisted to the side to avoid landing under the wheels of the car. I believe he made it to the other side. I didn’t feel a bump as I passed by the spot where he was and I didn’t see a smear on the road behind me.

No Pottery for me tonight. I am going to the movies. Tomorrow is Remembrance Day, so I can take a wee rest.

I'm still alive...

I priced and packed all my pots on Saturday afternoon/evening for the Calgary Clay Arts Association sale. I awoke bright and early on Sunday and made my way over to the sale. We got ourselves set up (there were 3 of us that did not participate on the Saturday). I think that for a fledgling association that is just beginning to get itself out there, we didn’t do too badly. We had a pretty steady flow of customers after lunch. The sale ran from 10-4 and I am not used to full day sales. The studio sale that is put on twice a year is only from 9-12 and we do probably 80% of our sales by 10:30.

Anyway, I wanted to cut my feet off by the end of the day, but I still had to make my way over to the studio and lock it up for the day. When I got home, I collapsed into my large leather chair in front of the tube, but by 9:30 I couldn’t even keep my eyes open so I stumbled my way to bed and that is all I remember until I woke up at 6:30 this morning. Now that this sale is over, I am all prepped for next the Big sale on Saturday. This Sale has been going on for at least 25 years and the following is large.

I only have 2 more teaching nights and then I am done with that and will be back on my regular Tuesday night schedule and maybe I can have a life again. It has been crazy the last couple of weeks and I am still not quite sure how I have been able to do it and work a regular day job to boot.

I managed to refire all of my lustred work for the “Turning the Table” show that opens this Saturday as well. I picked the lustre up on Friday, got everything redone and loaded that night, and when I got back to the studio on Saturday afternoon, I was very happy. Everything came out just fine. I fired it to cone 016 this time and everything worked perfect. I had fired everything to 018 before, and I just don’t think that the underlying glaze softened enough to allow for a good bond between the lustre and the glaze. Anyway, I got it all priced, inventoried and packed. I had to deliver it to one of my CCAA cohorts so that they could deliver it to the gallery this week. I am quite pleased with the overall outcome and am looking forward to the opening on Saturday afternoon.

round and round I go...

3 more classes to go! I only have to teach tonight, and then Monday and Tuesday next week. Every day at lunch I drive over to the studio and make sure that the studio is open, or that there is at least a key in the mailbox if no one is there. Walter (our resident perfectionist/potter/carver) is usually there, but you never know. Then today, I went over to Ceramics Canada (after I drove by the studio) to pick up some clay, and to see if the Green Barn order had arrived with my lustre. The answer to that is no. It should have arrived yesterday, but Trudy (da boss lady) thought it would be here tomorrow at the latest. My fingers are crossed so tight, I can’t stand it. This means that I will be pulling a very late night on Friday trying to finish those stupid place settings. I feel like I am in a race, but I can’t see the finish line, I don’t know who I am racing against, and I’m not even sure I am on the race track. So, if you see me looking a little harried and out of sorts, these are the reasons why: Not enough time and not enough energy. I can’t even sleep in on the weekend. I have to work on Saturday, pray that my lustre firing worked (if the stupid stuff even arrived for me to apply and fire it), and then I need to price and pack for the sale that starts at 10am on Sunday.

In hindsight, I should have backed off from teaching so much for Dave, but he was in a bit of a bind and needed someone to teach for him and I was the only option. The next time he gets a bee in his bonnet to go to Kansas, he shouldn’t plan to go right before the studio sale...just a thought.

Time is very quickly running out

I seriously need to get myself into gear. To be quite honest, I have not really gotten into sale mode yet. I think that with all of the things that have happened this year in my life (laid off, fitting into new job, company merger, trying to fit into a more secure role at new job) and in my family (both my maternal grandparents passed away, my great aunt is in the hospital), I have not really gotten into the production groove. Oh well, I have Friday night and Saturday afternoon to get ready for the sale this Sunday.

I had one sale job to do. All I had to do was put together the door prize box and slips. Well, the slips were not difficult, but man, do you think I could find time to make it to a dollar store for a box, or dig something out of my house to use? Nope. Connie came by the studio last night to drop off the info for the turning the tables show,
and to pick up the door prize stuff.

Now she needs to find a box.

I think I have enough pots for the show, but they are dusty, unpriced and unpacked.

Do "A", and "B" should happen...

My experience with firing kilns is limited. The first time I fired a kiln, it was the 40 cu.ft. gas kiln at our old studio. The only type of firing that I did was the glaze firing, as the bisque required a better understanding of how that monster worked. I only ever ended up firing that kiln a few times before we moved, and then all that learning was for naught, as we moved to firing to ^6 electric. Now, I have fired the electric kilns many times, and I have done bisque, glaze and on glaze (ie: lustre) loads. However, because they are computer controlled, I usually just load ‘em up, turn ‘em on, and go home for the night. They usually take 15-19 hours to fire a glaze, depending on how densely packed. On Monday, I fired both kilns at the same time, and they were both glaze loads. I went to the studio on Tuesday at lunch time to check on them, and they were both still firing away, but that is not unnatural. I returned at about 5pm that evening and to my surprise, one kiln had turned off properly, but the other one was still chugging away, and had not reached temperature yet. I freaked out. That kiln had been on for 19.5 hours and was still not to temp. I turned it off, then I said to myself, hold on....turn it back on, see how far it needs to go, call my potter friend Susan and see what she has to say about this. Susan has been potting/sculpting for many more years than I and she worked at Ceramics Canada for 20+ years and has a brain full of knowledge. She talked me down from the ledge, advised me to let it go for a bit longer, watch the colour in the peep hole etc.  I ended up letting it go until it was as close to temp as I could let it go before I had to go home for the night. It was only about 5 or 6 degrees away from ^6 at that point (It ended up firing for approximately 24 hours (crazy, I know). I went back to the studio today at noon to check that the inside of the kiln was not a hardened lump of melted glaze. Everything was fine, at least as far as I could tell by only seeing the top shelf results. I have a feeling that this kiln did not fire as quickly due to the fact that I had loaded it quite full, and I know that the elements are getting old, and need replacing, and the thermocouple might need swapping out too.

So, when you do “A”, and the “B” that is supposed to happen, doesn’t, don’t freak out. It’s all just one big learn’in experience.

SIGH!!!

I unloaded a lustre load on the weekend. I am not happy at all. My lustre is rubbing off! I thought that I would thin it down with some mineral spirits to make it flow a bit better and also to make it go just a little bit further (I had read somewhere that you can do that). I think that was my mistake. Everywhere that it was applied a little thin is rubbing off. I have 2 more 2gram bottles on order, but wouldn’t you know it, I need these fired by the weekend. So, I am hoping that they arrive sometime this week, allowing me to fire them Friday night and have them ready by Sunday.

Aside from my lack lustre lustre, I also have a sale this Sunday that I am NOT prepared for. Nothing is priced or packed. I will have to do it all on Saturday I think. I work that day, but I can pack and price at the studio when I get there in the afternoon.

I am starting to feel like my failed lustre, I am stretched a little thin, and I might start rubbing off soon.

3 down, 7 more to go

I have 7 more teaching nights to go now. I don’t get home before 10 pm most nights, and that is starting to be a bit of a drag. I had one new student last night; she seemed very thoughtful in how she approached the clay. I helped her make her first bowl, but her second one (without my help) was pretty successful. It may have taken her half an hour to make it, and the walls were a bit on the thick side, but relatively even, and her bottom was not paper thin. She didn’t manage to get anything else thrown, but she also did not struggle with the centering process as much as others do, so that was a bonus.

I loaded a glaze last night as well, and I will load another tonight. I will then hopefully be able to fire a load of lustre on the weekend. I need to get all my pieces ready for the Turning the Tables show, and it is creeping up pretty quick. The gallery is only allowing work to be dropped off on Nov 10^th at 10am. A bit a bit inflexible, but that’s ok, I will get the CCAA president to deliver it for me, but that means I can’t fool around, I will need to get it to her by the 7^th at the latest. Maybe after the CCAA Christmas sale on the 7^th...2 birds, one stone...

Tonight should be a cake walk. Thursday night is pretty much a class of very independent potters that have been coming for quite a while, and most of them leave really early. Last night I didn’t get to leave until 10pm as there were people still there madly attaching handles and glazing. Speaking of cakes, I also going to unload the very first cake stand that I have ever made. I don’t make a lot of cakes, and if I do, I usually eat them before they would ever make it onto a stand :). I was inspired by Kristen Kieffer’s cake stands (kiefferceramics.com). I WILL take pics tonight If I can get a peek into the kiln, it will be too hot to unload tonight, and let you know how it turned out.

I also have 3 pieces loaded that are not mine, but belong to the 2 people that I taught a private pottery class to for their anniversary. It was a one off class, and they really wanted to keep what they made, so I offered to fire and glaze them, I hope they turned out alright.

I need a new profile picture

I need a new profile pic. This one makes me look way to serious. Not to mention that my hair is different, I probably weigh more now than what this picture appears, and I look way toooo clean...

And now it begins...

I will be teaching every night now for the next 2 weeks and two days. The only days I won’t be teaching are Friday nights, as that is my own time in the studio and there are no classes that day, and the weekends. I will be dropping the key to the studio off during my lunch hour on weekdays, as that is way easier than getting up early to drop it off in the morning. I will also drop the key off on Saturday morning before I go to work at Ceramics Canada. Of course, I will be bringing the key home every night as well. I have a feeling that I will be very tired by the time Dave gets back from Kansas. However, this will allow me to get things fired. I usually only fire on the weekends so that I don’t interfere with Dave’s firing of student work.

Firstly, I will be firing a load of my dinner ware set that needs to be complete soon for the turning the table show on November 13. As soon as I get it glaze fired, I will turn right around and lustre fire it. Then, I need to get the work that will be going into the two pottery sales I have coming up. I never know what I have ready until the last second it seems. I need to provide an inventory sheet for the CCAA sale on Nov 7^th so perhaps this will make me more organized. The Fairview sale is never that demanding. So long as my pots are priced and packed by the night before, I am in good shape.

I keep saying that I will post pictures of what I am up to, and every time I go to the studio, I leave at the end of the day without having taken a single shot. Perhaps I will manage to take some pictures while I am glazing etc...

I had booked a few days off from my day job near the end of November so that I could go to Medicine Hat and fire in the Medalta salt kiln, but as I mentioned before, that is on hold. I was considering not taking those days off, but now, I think I might just need them after all this. Maybe I will book a massage for that weekend.....

 

This is why I make pottery, and other ramblings...

I stopped by the studio yesterday after work. I was on my way out with a few friends, but I needed to kill a few minutes, and I needed to let the air get to a few pieces that I had sitting under plastic. Anyway, as I was coming in the door, one of my new students was coming out and she had a huge grin on her face. She had just popped in to pick up her very first pieces to come out of the kiln. She was soooo pleased with them and with herself. I am pretty sure that if she had just popped into Walmart to pick up some bowls, she wouldn’t be as happy!

The act of making something yourself is very fulfilling, and helping people learn to make their own is also quite enjoyable. I like to know that the pieces I make are going to be used and enjoyed and not stuck in a cabinet behind glass, only to be admired from afar. I am a self diagnosed pot fondler, and there is no cure. I need to use the pots I make and the pots I buy from others. One of the things I look for in a pot (esp mugs and cups) is not just how it looks, but how it feels in my hand. What does the glaze feel like on my skin, and is the shape conducive to snuggling up in an afghan while reading a book? I like cups that fit the shape of my hand so that I don’t have to use the handle if I don’t want to, and I want the surface to be soft but somewhat textural to provide a pleasant tactile experience.

Teaching people to throw pottery can be frustrating. It is not that I get frustrated with the students, I get frustrated with the fact that the English language was not designed to verbalize what is a very tactile process, and the fact that there isn’t just one way to do it.  That said, I really enjoy teaching and witnessing that “AHA/eureka!” moment that students have when the planets align just so and everything clicks into place and they just get it.

What's coming up, or not...

Ok, so a while back I mentioned that I was heading off to Medalta in November for a soda/salt firing weekend. Well, as things usually do, this has changed. We are putting it off until January. The person I know that began all of this went to Italy for a couple of weeks, and when she got back, I think reality hit, and she realized that she wouldn’t have enough stuff to make it worthwhile for her and wanted to put it off. That was OK with me. I was awfully eager to go in November though, but I have coped, and am now eagerly awaiting January (not sure I will ever say that again, given that January involves frigid sub arctic temperatures and snow).

Now that I am not consumed with throwing stuff for that little adventure, I can focus on the more immediate concerns of getting ready for 3 sales/shows.

First:

Calgary Clay Arts Association Christmas Pottery Sale will run for 2 days (Nov 6-7). I will be there with all of my pots on the 7^th.




Second:

Fairview Studios Christmas Pottery Sale. This one runs one day from 9-12 on November 13th.

Third:

Turning the Table. This show focuses on dinner and table ware created by Calgary Clay Arts Association members, and will be at the Arts on Atlantic gallery in Inglewood. This show opens on Saturday November 13^th and I will be there, after the Fairview Sale, and after I work a couple hours at Ceramics Canada)

In preparation for these events, I will need to fire at least one more bisque load, at least a couple more glaze loads, and at the very least, one more load of lustre. Then I need to price it, create an inventory sheet for the CCAA Christmas Sale, wrap it and pack it. In order to get the wrapping and packing done, I will need to clean out my car – haul out the containers that are in there with unsold pottery, clean out my back bedroom and sort through any old pots that can either go to the dumpster, or back into the mix for these sales. Then wash the table coverings, or at least iron and hem them. I bought 13 meters of dark blue denim one year at a fabric store that went out of business, and it was a deal, 13 bucks for 13 meters. I never hemmed them though, so they are looking a bit frayed after a few washes. Me thinks I am going to be busy for the next little while.

PS, I apologize for the extreme run on sentences in my last post. I just re read it and there are way too many comma splices in there.

i think i pulled something...

And it wasn’t a handle. Everything aches from the base of my skull to the tip of my tail bone. I was at my Jazzercise class last night, and I must not have stretched well enough. Oh well, I took a couple vitamin I’s (Ibuprophin), and that should work the kinks out. I am teaching tonight, so the kinks better be gone. I think I will demo bottles tonight. Someone at the studio has given an assignment to himself, and it is to make a tall, very bulbous narrow necked bottle (almost closed in). So, thought I would see if I could impart any gems for him tonight to set him on the right path. I think, and this is just my personal opinion, but I think the bottle is the toughest shape to make.

I worked on some bottles over the weekend to get me warmed up, as I never make them very often (not big sellers) and I needed to refresh my muscle memory. I will see if I can remember to take some pics tonight.

Next week I will be teaching every night (Mon-Thurs) for 2 weeks. Dave is driving down to Kansas to visit him family etc and I will be holding down the fort for him. I have done this before, but usually only a week at a time. Two weeks might just kill me. I have offered to fire the kilns for him while he is gone. He didn't want me to have to do this, as he doesn't pay me to do that, but really, I am going to be there anyway, so I may as well do it, especially since there is a student sale coming up on November 13th, and I know that most people will want to get some last minute stuff finished. I will also have some pots to fire, so I may as well load the other students work as well

Catching up

Well, this past week has gone by in a flurry of activity, and I have not been able to even check what all the other bloggers have been up to (until today). My job has changed a wee bit. I now have walls and a door, and I am not sitting up at the front as a receptionist. I have been thrust into the role of project assistant (of which I know nothing). This is in an attempt to help lighten the workload on the project managers shoulders. This new position is going to be interesting, but the learning curve is going to be very steep.

In terms of pottery, I was pretty industrious on the long weekend, even though there was a Turkey dinner to attend, yams to make etc...

I got back into some slip work, , but it is very different from what I have done in the past. I also managed to fire a bisque, but not a glaze. In terms of what I made, I managed to throw the rest of the Dove. I made some more cups for the dinner ware show, some salad bowls, and a cake stand. These are all Dove and are in the “mountain” theme that the rest of the dinner ware is in. I then threw 4 large platters that I went a little berserk with the slip on. I used to apply a very thick layer of slip onto a freshly thrown bowl or platter and then comb through it with a cake decorating edging tool. Now I have just used my slip trailer to apply the slip. I never used to put the decoration in the centre, only the rim, but this time, it is everywhere. I am concerned that the extra water content that I added to them may induce cracking, but I will dry them very very slowly, and hopefully everything will equalize and be ok.

Just a random shot of some of what I was up to

The first slip trailed platter

A close up of the platter

When worlds collide....you get messy hair

I am going to get a haircut tonight. I also got a phone call from Dave this morning asking if I could teach tonight. So I will be in the salon at 5pm, and then I will be off to the studio with my new coif. I am sure I will get clay in it. Kinda like when you wear white to the office, you just know that you will spill coffee on it right away so that you have to go the whole day looking like you can’t feed yourself.

Gobble Gobble!

It’s Turkey day on Sunday!  My family will be gathering at my parent’s house this Sunday for Thanks Giving (above the 49^th parallel here). I have been tasked to bring a vegetable dish (after I made gagging sounds when asked to bring the tomato aspic). I am trying to think of something interesting that doesn’t come out of a can or bag and that I can make really quickly, or even just throw together once I get there. I will of course be at the studio right up until 3pm, so I need to think ahead. Maybe I could turn the kiln on low and cook up some veg there (just kidding...maybe). I only have one day to get what I need once I figure it out, and that would be today, after work. I will be gettin a hair cut on Thursday and I don’t want to muss my new do peeling yams or something (nah, just lazy). Although, now that I think about it, Ceramics Canada is closed this weekend, so I will not be workin and I could procrastinate ‘til then.

Some of you (if anyone other than my parents reads this) may be wondering what the heck tomato aspic is. Others of you will know, and agree with my extreme reaction. A very small number of you will say yum, who doesn’t like aspic?

Tomato aspic is a 1950’s jellied salad made from canned tomato soup, lemon jello, assorted savoury ingredients like cheese, celery, peas, carrots etc...and then chilled in a fancy mould or a nice bowl. If you are feeling elegant, you can decorate it with a dollop of mayonnaise and chives....every child’s nightmare. I learned at an early age how to suppress my gag reflex and swallow it without chewing (or hopefully tasting). I adapted this technique for lima beans too..., but alas, brussel sprouts are too big to swallow whole.

I hope all you Canadians out there have a good Turkey Day too! I am going to try and fire off a bisque this weekend, and maybe a glaze if I am feeling really ambitious, and I will have more pics this weekend if I can remember to take a moment and shoot some.

How do we come up with NEW ideas? Where do we get our inspiration?

I had another pottery/design related dream the other night. Many of my ideas (good and BAD) seem to come to me in this way. Sounds sort of “Hand of God ish” (but if you know me, that is not it at all, it’s just random neurons firing). These “dreams” usually come around the time that my mind finally starts to drift off into unconsciousness, but before I fall completely down the rabbit hole, I will get a flash out of nowhere, usually an image, of a new way to possibly approach a problem I have been mulling over in the very deep dark recesses of my mind, or even just something completely new that I have not even been considering. I am not one for sketching, never have been, so sometimes these ideas get lost for a couple of days until my brain unearths them again. I do try to sketch them occasionally, but I can never seem to get down in 2D what my inner eye clearly sees in 3D. Anyway, back to the dream the other night. My sister asked me a while ago if I would make the centre pieces for her wedding next year, and being the best big sister in the world, I said sure, no problem, what do you want? She wants a simple single stem vase out of white white white porcelain, approximately 9 or so inches high. Not being one to do things the easy way, I don’t want to just extrude hollow cylinders and glaze them clear....how boring. I got her to accept a little blue (not much), and perhaps a little lustre. My vision was that of a very narrow cylinder, maybe 2 inches wide, 9 inches tall, thrown without a base, and perhaps a little wonky (not dead straight). The base of the vase will be a circular slab slightly wider than the cylinder. The top is a thrown, shallow domed cap with a narrow neck just wide enough for a single flower stem. I will attempt to make a few variations for her to have a look at and make her decision.
I have had a few of these dreams, and they don’t always work out, but the ideas linger and will sometimes morph into something completely different once I get to the studio and start trying to flesh it out in clay.
I often wonder how different artists get fresh ideas for their work. I am lazy, and I don’t like doing the boring stuff like research (I do surf the web, but that is pretty passive research, and can be done when you don’t want to do something even more tedious, like laundry or dishes). Some authors say that they feel like they are just a conduit for a “higher power” that is writing through them. That sounds to me like they have no talent except for typing, I think that is a lame answer. But how does everyone else create something completely new from nothing? I guess my work is pretty internal, I don’t seek a lot of outside inspiration for what I do (unless I am ripping something off that I saw on YouTube for a pottery demo).

Oh my aching back!

I was teaching again last night, and all of the newbies came back (good sign). I ended up demonstrating how to throw several different forms off the hump, like mugs, bowls, bud vases, little closed in orbs that could be turned into lidded jars etc. Wouldn’t you know it, the first piece that I cut off went flying off the mound. I must have been distracted as the wheel was definitely going way too fast for safe removal :)

I ended up spending quite a lot of time with a couple of them, working on coning up, getting the feel for when it is centred, and just generally trouble shooting their problems. It seems to be mostly hand position, and not utilizing the geometry of your body to assist you instead of working against you. Essentially just small adjustments here and there and they were on their way. I am sure it will click sometime next week, or if they manage to get into the studio for practice time on the weekend. After all this crouching down my back is a wee bit touchy this morning, but I will work the kinks out I am sure.

Here are a few filler pics of some of the stuff I am working on

 

The weekend

I was able to get into the studio for my Me Time on Friday. It was just me, Lorraine (another self directed student on Friday nights), and another student named Dave who does quite well on his own, and doesn’t ask too many questions unless he is stumped.

I was able to get my dinner plates, side plates, and salad bowls thrown, but not much else. I always go to the studio full of ideas, but I seem to always lose steam at about 7:30. Not surprising as I get up at 7am and work a full 8 hours in the office.

I did my usual 5 hours on Saturday at Ceramics Canada. I was actually kinda productive there, in that I was able to resurrect a painting of mine from near death. Amazing what you can do when you slap another coat of thick modeling paste on and obliterate the nastiness from previous attempts at artfulness...I left it to dry there, so still not sure what it looks like, but It looked 1000 times better than before. I should say that I have absolutely no painting skills, so I create according to my abilities. My paintings are purely abstract, and I work primarily in goo. That is, I use a lot (I do mean a lot) of modeling pastes, acrylic gels etc to build up texture. Then, I use the squirt method. I use acrylic inks and they come in little glass bottles with eye droppers and I just squirt away. I do use a brush, but that is used mostly to move the ink around and add water to help it flow. We (the potters that work at CC) formed a little painting group that meets the 1^st Sunday of every month, so my work this Saturday was in preparation for next weekend.

After my 5 hours at CC I went to the studio and put in some more time there, approx. 4 hours. I trimmed, and finished off some of my boat forms. I will try to take some pics tomorrow night. I do like the form, so I picked up some ^10 Bmix to make some for the salt kiln.

I went back to the studio first thing on Sunday morning and worked from about 9am-2:30. I managed to get a few things done in that time. I made some dinner plates for the salt kiln out of Plainsman P700 porcelain (I may do some carving on them, not sure), as well as 9 or so tall drinking vessels (haven’t decided if I will handle them or not). I am slowly trying to get enough high temp stuff made for this salt firing, and I am, my problem is that it is taking up all my shelf space for my other works that I have on the go, like the turning the table show, the Fairview sale, and now this CCAA Christmas sale.

Tomorrow, I will be teaching, and I have 4 newbies to think about, but now that I have done 1 basic bowl demo for them, I will jump back to more complex forms. I may introduce the boat shape. It is pretty simple to make, but requires patience. You have to let it get to the right state of leather hard before you start using the clay shredder to pare away the extra clay and smooth over the seam on the bottom, or I might do a covered jar for them. It requires patience as well, as I use the clay shredder to true up the corners and straighten out any unwanted curves. I’m trying to keep the demos interesting for everyone every week, so they don’t get bored. I did see 2 of the newbies on Sunday, it is always good to see them coming in to the open studio time right off the bat.

Oh, and my tea service was delivered in one piece and they apparently really liked it, so I can stop sweating over it.

I will be sweating enough tonight anyway, as it is my Jazzercise night. I only get one a week now, as the other class available to me is on Friday nights, and as we all know, mistress clay is a task master and I am chained to a potters wheel every Friday night. When I say chained, I really mean a daisy chain of puppy dogs and rainbows :)

This is a picture of one of my paintings taken last winter. It is a bit dim, but you can see the painting on the wall behind my television and all my plants.

Me time?

Finally, I might get some me time in the studio tonight. I always go to the studio on Friday night, but sometimes there are other students there, and that kinda cramps my style. One, as I am a part time teacher there, I do get quite a lot of questions (I don’t mind, but it can eat up the time); Two, I like to spread out when working, and if there is more than just the 2 of us that are usually there on Friday nights, it can get quite crowded, and I am a space hog.

 I am going to continue exploring the canoe form that I saw on Mandy’s page. I was going to work in some high temp porcelain, but apparently I can’t read and when I was working at Ceramics Canada last Saturday, I put a box of Plainsman H550 Stoneware in my car instead of the P700 porcelain.

Oh well, I will correct that error tomorrow. So right now, I am working with the last of my Laguna cone 5 bmix and Dove Porcelain. The Dove is going to be my dinner ware set for the Table Ware show (assuming I am in). I was not having much success with it last week, and I think I was just over tired and not reading the clay very well. My issues were when I would cut it off the wheel, the rim would flop down. I was thinking about the WHY WHY WHY, and I came to the conclusion that this clay is very thixotropic, and as soon as I add any force to the finished piece (in this case it was the centripetal force of the wheel, and the opposing force of the cutting wire) the clay transformed from a “solid” to a “liquid” (like quicksand) and the rim would become unstable and flop. So, to correct this, I think throwing the rim a little less flat will help with the removal. My other option would be to throw on plaster bats, but I don’t have room to store them. I use ¼ inch thick hard plastic bats, and they are fantastic bats, they just don’t release the ware if you don’t cut it off right away. I need to make a few more dinner plates, side plates, mugs etc..

On newbies

I had 4 new students in class last night. I always find it challenging to teach 4 newbies at the same time. It is hard on the mind and body, and you are always keeping an eye on 3 of them while you spend your time with the 4^th. Essentially, I made 3 bowls with them (for them) so they could have them to trim next week.  There is always at least one that sort of gives up half way through the class. You can see it in their eyes. They want to excel right away and think that they just can’t do it. I reassure them that this is normal, and that they will not be making casseroles and teapots the first night, or the next....more like cat dishes.  They always ask the same question too, “what is the trick to centering?”. My answer to that is “practice”. They don’t always like that answer. The problem with pottery is that it just looks so darn easy, but it is so difficult to verbalize how to do it.

I teach the “Dave Settles Method” (If you can call it a method). Essentially, I start the newbies off with a run down on wedging, let them work on that for a bit, and then I do my demo. I usually keep it simple for them on the first night and throw a bowl or two. Here is where the Settles method comes in. I set them loose on the wheel with what they wedged up earlier and I walk away. I leave the room. I don’t even look to see what they are doing for about 10 minutes. Then I come back and see what they have done. Usually I come back to a lump of shmeered clay all over the wheel, or a tortured looking object that could have been a bowl, but it looks like it went through a wood chipper.

I tell them to start again, but this time I will be there to walk them through it. It is kind of like the laying on of hands at a holy roller tent revival, except I am not “curing” the sick and infirm or casting out demons, I am trying to show them what the proper pressure feels like, what it means when I say this is or is not centred, etc. And so on down the line until they all have at least 1 pot made.

So today my back aches, and I slept in and was 15 minutes late for my non clay job (oops).

 

Life is funny

I was just thinking about the paths that we follow in our lives, and how we end up on these journeys. I remember reading an article about how human beings are wired to make our own paths instead of following the ones laid out for us. The article used a university campus as an example. The designers of the university grounds laid out carefully thought out pathways to connect each of the buildings on campus, but the students and faculty seemed to always avoid using the nicely paved sidewalks and paths and instead would pave their own way and the results could be seen in the aerial photograph of the grounds. The lawns were criss-crossed with trails made by all these people who refused to use the sidewalks. I think life is kinda like this university. It seems that there are those that like to limit us by delineating where we should and shouldn’t go, and then there are the rest of us who seem to always walk on the lawn.

I tend to work like this too. I enter the studio with a fixed idea of what I need to do, and then I start walking on the “lawn” and end up doing something completely different. It is almost as if the second someone asks for something specific, I don’t want to make it, and I will wander off on unrelated tangents until the time crunch hits and I have to knuckle down and just do it.

On the road...

At least my pots are on the road and on the way to Comox. I finally got the glaze loaded and fired on Friday night. I was able to unload Saturday evening as it was not packed very tight.

I have mixed feelings about this last glaze.  The tea set worked out, but I am personally not happy with the glaze. It looks fine to the casual observer, but to me, knowing what I was going for, it gets a passing grade, but no gold stars...

I was however pleasantly surprised by the tall handled urn that I threw a while back in 2 parts for a demo. I was not sure if I was going to keep it, but I bisqued it and finally managed to fit it into a glaze firing. I just did some wax resist stripes over a clear glaze, and scratched lines through the wax and then dipped it again in a blue hares fur glaze . The result is quite funky (in a good way).

On Sunday, I went for brunch with the parental units and my sister and her fiancé (man it sounds weird saying that) at Diner Deluxe (excellent food btw). After brunch, mum and dad were off to the coast with my fresh out of the fire tea set, and I was back to the studio for more throwing. I am currently working with Dove porcelain, and I gotta say (again), I don’t like working with it. It does some specific things really well, but the sound of dinner plates flopping was deafening. I did manage to get 4 proper plates thrown, and then a large plate that flopped, I just flipped it upside down between 2 buckets and let it dry all wobbly.

I also began investigating a new form for me. I give 100% of the credit for this form to Mandy Parslow, an Irish salt firer. I was looking at her website and at her new work and this elongated form filled 2 gallery pages on her site. I love them. I love them so much that I am going to see what I can do with it. Essentially it is a collar of clay opened clear down to the wheel head and then smooshed together to make an oval boat shape. The rim must be narrower than the base so that when you smoosh, the rim doesn’t take a nose dive and hit the deck.

I never seem to learn my lessons

My demo for last night’s class should have been titled “how to make mud pies”. I was roving around on the interweb yesterday and came across some nifty neato altered vases. I thought to myself “Hey, those would make great teaching demos, I can do that”. Yeah right. I know that I should never attempt a new form (to me) for the first time in front of an audience. I threw the body of the vase too wide, and the neck too narrow so when I started pushing out the ribs with my finger, the shoulder collapsed and that was good by vase. It still demonstrated the essentials of throwing, ie, centre, open, collar, raise, collar, raise, raise, shape etc... but the “wow” factor was definitely not there. They all gasped when it collapsed, and they all made helpful suggestions on how it could be saved, but it was also a lesson for them on when to just throw in the towel and start again, learn from your mistakes and make the next one better.

While I was in the studio last night I was also attempting to glaze what I bisque fired on Sunday. I know I should never attempt to glaze during a class night. One, the time to do it is not enough; and two, there are constant interruptions from students. So, in an attempt to get a jump on glazing, I think I just made more work for me on Friday when I will be in the studio again. Another lesson left unlearned.