Tuesday, January 24, 2012

Do you want the good news, or the bad news first?

I always like to get the bad news out of the way first....
I got to work two weeks ago today to find that I had been laid off. So that is the bad news.
In response to this rather drastic change in my income, I began an Etsy shop (this is the good news). I have not sold anything, but am trying to post at least 1 or 2 items every couple of days. I currently have 7 pieces listed. You can find my shop at http://www.etsy.com/shop/CrackedPotCeramics and will have more to add over the next while. I don't expect this to pay my bills, but it would be nice if I could actually work towards being a full time potter.
If anyone out there has any suggestions on the best way to run a pottery shop on Etsy, I welcome your comments and advice.

Monday, January 9, 2012

Late onset ADD?

I meant to post this on Friday, but as the tittle suggests, I have been a bit scattered lately. My fingers are getting itchy. I was in the studio almost every day over the holidays, but now I am back to my regular schedule of Tuesday teaching, Friday night , Saturday after working at Ceramics Canada (maybe) and early morning Sundays. It seems I always go through a bit of withdrawal after having been in the studio so much, my brain just won’t shut up. Today is proving difficult. I will just have to think of what I need to work on over the weekend and what I could begin working on more long term. Perhaps I will see if there is interest in putting together a small group of people to do a salt firing this summer if we can get some kiln space. I would go back to Medalta, but they don’t have a lot of time in the summer due to their workshops and residencies. I understand that they also raised the cost of renting their soda and salt kilns, which makes it a little out of my budget. I will  probably look into North Mount Pleasant and see what they have to offer in terms of renting the kiln. I hear it is very inexpensive and If it is really cheap, I may just go by myself (I tend to overproduce and then never get it all in the kiln when I share). The plus for this option is that I can sleep in my own bed. Medicine Hat is a 3 hour drive and would require at least 3 or 4 days in a hotel to finish the firing (load on day one, fire on day 2, cool down day 3 and then unload on day 4). I also need to go on a wood hunting trip (just a walk along the river will do). I am looking for some pieces of driftwood about 6 inches long that I can use as handles for a few stretched out platters and more of a unique piece of wood for a smoke fired jar (Mum, if you are reading this, if you see anything while beachcombing in Hawaii…). I pierced the lid of the jar during construction to accept wire or leather cord to attach the wood, and it has been sitting on a shelf unfinished since the summer, just waiting for its handle. Perhaps I will do that this weekend. I need to go by my parent’s house, and they live near the Bow River with lots of pathways and wood strewn river banks…

I also need to revisit the glazes I was testing over the holidays. Although the “frontal lobe” reticulated glaze is interesting, I was really looking for a snowflake crackle glaze (see Nov 2011 issue of Ceramics Monthly, I used the original snowflake crackle recipe). The glaze had less than 5% Magnesium Carbonate, but apparently that was enough to cause the insane reticulation. I have used other glazes that have way more Mag. Carb and have not had this degree of reticulation before. I did omit the 2% bentonite as I thought it was more for suspension, but perhaps it had another function? I will try mixing a 100 g batch including the bentonite, as well as 100g batches of other snowflake crackle glazes.  I also want to look at the matte lavender glaze. I want to know how it looks as a white glaze, but I also want to revisit the lavender, so perhaps a 1000g batch split into 2 parts (1 white, 1 lavender). What I am really looking for is a microcrystalline white with a smooth, waxy matte surface that appears frosty and thick (if that makes any sense at all). Describing glazes is like describing wine….Notes of honey, plum & leather with a smoky, earthy finish…blah blah blah.

Sorry for the slightly scattered thoughts here. Like the title suggests, perhaps I need to take Ritalin?

Thursday, January 5, 2012

New Years Resolutions...

I never make New Years Resolutions, but I am going to put this one out there so that hopefully I will make more of an effort.

For a while now I have been saying to myself that I should create more of an online presence for my pottery with the hope of creating more sales and therefore more revenue ($$$). The gallery sales have been slow to say the least, and I have to say that for the 3 sales that I was a part of this past fall, the numbers were not generally good. I did well at the studio sale, but then, I always do OK. But even then, the overall sales were down by at least 1/3, and my personal sales were a little less than normal as well.

SO, here it is. I will attempt to open an Etsy shop sometime before the summer of 2012, and if that works out and I sell enough via Etsy to pay for it, I would like to branch out to an actual website (not just a blog) that showcases my work. I don’t think the website is as vital to get going right away, as I don’t think I would use it for selling work directly. However, it could be a place to funnel people to the work for sale on Etsy. I am going to actually try and use my holidays this year so I should have a little more ME time to work on this goal. I have collected a few friends lately that are directly involved with website creation/design and marketing, so I may have to pick their brains over a beer or two…

I have the space that I will dedicate to this endeavor mostly finished at home, I just need to put up 1 more shelving unit to store all the work that is for sale so it doesn’t get all mixed up, get some decent lights for photographing items, and then  eventually get a decent table in there for wrapping orders (crossed fingers).

My one big obstacle will be my penchant for procrastination, and my fear of the unknown. I do tend to put things off if I am at all unsure about the outcome, or if the process is not clear from the beginning. I had done some research a while ago on setting up an Etsy store and a pay pal account etc, but as it was not something that was in my immediate plans, I did not really take it seriously. So that is something else I will have to do…research what my start up costs will be. I have no idea what it costs to sell stuff this way. I know that with Etsy, there is a per upload cost and a cost per sale, but I have not gone very far with the credit transactions and figuring out what my costs would be for Pay Pal etc. Then there is the shipping costs. I have no idea how to calculate shipping costs on a per item basis. If the customer is buying only 1 item, then that is easy, but if they buy multiples, then more items can fit in a box, and the cost for a bigger box may not equal the cost of shipping them individually. Should I standardize my shipping container sizes? Ie: 4 different box sizes and then work out what the average box would weigh when full of pottery and figure out the cost to ship each size. Do I ship via Canada Post or a company like Fed Ex, Purolater, or UPS? So many questions and not enough knowledge. I have actually only made one Etsy purchase, and my motivation was twofold. First, I really liked what I bought, and second, I wanted to know what the process was like. I could do the shipping thing like the merchant I purchased from. They had individual shipping costs noted for each item, but when it came time to ship them, he was charged a little less than what I paid, so he refunded that amount to my credit card. That is something else I will have to figure out, how to refund money once I have already processed the transaction.

So many questions….

 

Wednesday, January 4, 2012

First post of 2012

I hope everyone had a fantastic holiday. I had a week off from the job that pays the bills. This afforded me the opportunity to go to the studio every day and play in the mud, test glazes, listen to music etc. I was there on Christmas Eve, Christmas Day, Boxing Day, all the next week & New Years Day. Some might say that is lame, but as I was pretty much on my own this Christmas, I took advantage of the free time.

I tried out a new (to me) clay body over the break, Plainsman F96. This is a very warm and toasty brown colour when fired to cone 6. It has the look of a wood fired pot, but without the wood. I did discover that it does not throw certain shapes very well. It is a very moist body, so perhaps it could have used a little time on the plaster before I threw it, but patience is not one of my virtues. So, tall was out, but it did nice plates, stretched out platters/trays, teapots, cups, bowls etc. Everything required a lot more trimming that I am used to as well. I usually don’t have thickness issues, but then I usually throw nice smooth BMix that you can thin out really easily. F96 is definitely not BMix. It is pretty groggy, but not too painful to throw. As it was quite moist, I found that things wouldn’t stand up to a lot of height unless there was a lot of supporting clay at the bottom, and even still, it was hard to get that clay up. I still need to see how it works with my glazes, but from what I hear, it should be very nice. The only real downside to this clay is that even though it is not as red as M390, it stains waaaayyyy more than M390. M390 is a very dark terracotta coloured clay when wet and fires to a very dark chocolate brown. You know when someone has used M390, but it cleans up pretty easily and doesn’t stain your skin (very much). F96 on the other hand is very orangey and will stain your skin for days. After I used it the first time it looked like I had been using a really cheap fake tanning lotion, but only on my hands, and only up to my wrists.

After trying out the new clay, I got busy testing some glazes on Christmas Day. I found some glaze recipes that I wanted to try out so see if they would be good as a base, or even just a white. I am trying to find a waxy or matte white that will work within the price restrictions at the studio and that could then be used to widen our colour/texture options at the studio. I was also going to test a snowflake crackle glaze (from the article in Ceramics Monthly a little while ago). If the crackle worked, it would probably be just for my own use, as they are not really food safe, and require a bit of knowledge on how to apply them and in a recreational studio setting this would not work too well. I fired the kiln off on Boxing Day and this is what I got……Brains! As you can see, it is more like a frontal lobe than a snowflake crackle….


My other tests were OK. I did get a nice result from one of the matte glazes I tested. I was looking for a nice lavender as well, and I thought I would try that with this base. It was a bit thin when I applied it, so this looks a bit streaky, and it is tending to a pale blue when thin, but where there are drips, and also on the inside where I could get a thicker application, there is a very beautiful pale lavender.