Early Birthday Present To Me

I ordered this a while ago and it arrived at Ceramics Canada yesterday. It is a gas conversion kit that will turn a 10cu.ft electric kiln body into a propane fired kiln with the goal of firing it in either a soda or salt atmosphere. I'm guessing soda will be the end choice as salt pretty much melts soft fire brick, but I might opt to prepare the bricks with a refractory coating like ITC 100 and that should effectively prevent salt eating away the bricks.

Catching up in the studio

On top of what has been going on at my condo, I have been busily beavering away in the studio. Here is a quick rundown of some of what has been going on since my last glazing frenzy

here are some of the pots from that last glaze marathon

 

This is a cup and saucer for a potential project, possibly more to follow on that, we'll see.

 

Because I never make coffee pots, I thought I would change that

 

Must have teapots 

 

More scratching as always

 

White on white scratching, front and back

That's it for now.

Loaded to the gills

Busy doesn't even begin to describe the studio last night. I got there at 5:20 pm and immediately began unloading my shelves of all of the green ware that I have been stockpiling over the last couple of months in order to begin loading up a bisque kiln. The first picture shows everything that I had, but there were a few pieces that did not make it in. Not to worry, there will be another bisque in about a month. The rest of the images show the bottom, middle and top layers. As you can see, it is loaded really tight. This kiln will fire off tonight and will be ready for me to begin the glaze prep on Friday. If I can get my hands on a couple of large buckets, I will also mix up the new Plainsman clear base that is so nice on the Polar Ice. I will also mix up some smaller buckets of the same clear base but will tint each with violet, pansy purple, tangerine and yellow Mason stains. Fingers are crossed that nothing cracks.

Pots waiting for the kiln

This week blew right on by. Last weekend was a long one so I took advantage and threw, made glaze, fired a bisque and then a glaze. As usual, I have photos of the pots I have waiting, but none of the finished work. Maybe I will take them tonight. I need to get a batch of pots down to Galleria on Saturday, so tonight is the only option for picture taking. This is an arty shot of a bowl and a casserole with various other pots in the background

These 2 pics are of a lamp base I am working on. Fish seem to be my theme lately...wonder why that is...

On a not pottery note, I met with the contractor yesterday afternoon to walk through my condo to make sure everything looks ok in terms of wall locations and to discuss the kitchen. Nothing was left of it when they got there, so I had to let them know what it should look like and then any changes that I would like to see happen. I really want a pantry, and I hated the peninsula/island so instead I am putting the pantry where the peninsula started and then I will buy a counter top height table with drop down leaves in that space. It will act as a counter as well as an eating area that actually functions. I asked the "when" question as well. He says that there is a 14 week timeline that will begin as soon as they pass the last inspection before drywall starts. So it could be 15-16 weeks. Possibly a move back date 1 week before the 1 year anniversary of the flood. And that's all I know for now.

More low fire porcelain

Before I left for Medalta I mixed up a 5lb batch of the 04 porcelain. This is what I did with some of it. I am going to fire a test with some different stains to see if I can get some colour on these pots. Otherwise they will just be white. Aside from the teapot, I threw a couple low wide bowls and a half a dozen tea bowls. I have another 5lb batch on the go right now too. It takes a while to get all the excess moisture out, so I will be wedging it on plaster for a while until it is workable.

 

A few pots from Medicine Hat

The firing at Medalta was far from perfect but there were some pots that came pretty darned close. I managed to shoot a few good quality pictures before I came home and here they are. Overall I would say 1/3 crap, 1/3 good and 1/3 excellent.

Another Trip to Medalta

It looks like I might possibly make another trip down to Medalta in the spring. My friend Susan and I are thinking of going down the weekend of April 27th to fire in their Salt and Soda kilns. Medalta is located in Medicine Hat, Alberta and is in the historic clay district. Back in the day, there was the Medalta pottery, the Hycroft pottery, and at least 1 brick factory that I know of. It is also where Plainsman Clays is located.

When I went down in Feb 2010, we had a very good tour of the Hycroft factory as well as the Medalta museum and the areas of Medalta that were off limits to the regular visitor. At that time, the new Events facility was still under construction. The facility was being constructed on top of some excavated Bee Hive kilns that you would then be able to view through the floor.

If we are able to book our trip for that weekend, it will coincide with a community clay event that Medalta is having. Their long term resident artists will be holding workshops for the public and it would be fun to be involved with that while we are firing.

I am hoping April will be much warmer than when we were there last. It was so cold that weekend that my power steering froze during the time we were glazing and loading the kilns that first evening (note to self: don't leave your car facing into the wind when it's -30 celcius). The temperature difference while we were firing in the kiln area was such that we created our own weather system. The skies were clear and blue, but it was snowing in the kiln compound..

So I am looking forward to that. Right now however, I am still not ready for the studio sale next weekend. I still need to clean out the car and empty out my boxes of pots and decide what is going and what is going into the trash to make room for the new stuff. Then I need to price which is not a science. I usually go on gut instinct for pricing. I ask myself “would I pay $xx for this?” then, do I really want to sell it (still precious to me)? If it is still precious, I jack the price up so as to alleviate the pain of letting it go. Otherwise, I try to price it fairly so that it doesn't make it impossible for the average person to buy.

a couple pots from the kiln

Here is a before and after shot of the tall bottle with the tree motirf. I was playing around with different coloured terra sig slips on this one. I started with a mason black stain, graduated into a pale bluish green and finally into a golden rutile. I was not sure how it was going to look as I was just dumping a little of this, and a little of that into the sig.

Here is a really drippy jar. A really thick slip was slathered on all over and then "combed" through with a rippled vegetable cutter (gotta love the dollar stores). The glaze is one I have been testing, hoping for a satin matt surface with hints of pale grey/lavender and copper green, but alas, it just runs all over the darn place.

All the little plates

These are all the little square plates I have been making and experimenting with the shellac resist and terra sig. There were a few fuggly ones in there, but a few really nice ones too.

Here are 6 that I really like:

Has a Tim Burton vibe I think

Love it

Love it

The octopus plate was sold pretty much the second it came out of the kiln, so this is probably the only pic I will have of it. I will have to do more mollusks....

Here are a few other things that I have had on the go for a while and are now ready for the bisque:

I was going a bit dotty by the end of this one

same with this one...

I was working on this bowl while listening to a CBC show that was talking about Glen Gould. While I was shellacking the pattern, they were playing one of his quicker pieces and I think I was flying along with Gould at the same time. The person doing the show said he thought that Gould had "left the stratosphere".

getting stuff done

I managed to get a few things done this weekend, despite the heat. It managed to get up to at least 29 degrees with no breeze or a cloud in the sky. I started the day on Saturday at 9:30 by going to the mall (I know, I know, I hate the mall too). I needed to go see a man about a power cord for my macbook. Lately the cord has been kinda flaky and not charging properly. I took it in, saw a “genius” and got a new cord. Works like a charm. The mall is on the way to the studio, and after the apple visit, I toddled on over there, but splurged on a venti caramel latte before I left. My theory was to try to get to the studio as early as I could to beat the heat, but it was pretty toasty inside anyway, there was a kiln that had recently finished firing and was doing a good job at heating up the joint. When I pulled into the parking lot, there were hundreds of cars parked in every conceivable space in every lot, along the road (except ours thank goodness). There is a motor cross track at the end of the road and normally all you can hear is the annoying whine of dirt bikes flying around the track. Not so on Saturday. There was a Spartan race going on, and if you don't know what that is, and neither did I, it is an obstacle course that involves crawling under barbed wire in the mud, running up hill, running down hill, etc. I saw a lot of very muddy racers walking to their cars when they were done.


Anyway, I mixed 3 glaze tests, fingers crossed, glazed a billion pieces, and loaded a kiln. Ok, probably not a billion, but there was a lot of stuff to glaze, and not knowing exactly what will fit in the kiln, I try to make sure I have enough glazed to be able to pack it as efficiently as possible. I managed to get the custom “fire” bowl in, about 24 mugs, some tall stuff, a large platter and 4 smaller square plates, a couple of casseroles, and teapots, as well as all the test pieces. As I had mixed 3 tests, I had the 3 test cups in there, plus one where I poured all 3 in an overlapping manner around the outside, and then for giggles, I dumped all 3 tests together and tried that out on a couple of small cups. The base glaze was identical, but the oxides were different in all 3. One had just copper carb, another had copper carb and iron, and the 3rd had cobalt oxide and iron. I am hoping for a mottled green/brown, a pale mottled green, and a dark mottled greenish blue and all will hopefully have a lovely satin feel to them.

I am hoping to get the crystal firing loaded this coming friday night and then program it so that I can be there during the critical cooling and holding phase to ensure that the temp. drops as fast as possible by opening up all peeps and running a fan across them to draw as much heat out as fast as possible until the hold temp is reached.

When I was unloading the student glaze load yesterday, I became quite aware of how little people actually pay attention to anything. I sent out instructions about what to do when glazing with the crystal glazes and where to put them when finished to avoid confusion with regular ware etc. But in spite of that, I pulled out a spectacularly horrible pot yesterday that had a dry and ugly surface on it (glaze not thick enough), but where it was thick, little spiky, poorly formed crystals were evident. So, not only did they not read or follow the instructions, or ask for advice on how to glaze their work, they then put it with the standard cone 6 work. Thank goodness we limited it to the inside of bowls only or there could have been a huge mess.

Here's a pictoral rundown of my Saturday and sunday

This is some of the bisque I had to glaze


Here is a close up of a couple square plates


The ware cart starts to fill and then move into the kiln. This is the 1st shelf.

Then the second, third, and a half. My fingers are crossed right now. I'm hoping for some good tests.

doldrums and other stuff

I'm feeling like I'm at a creative loss right now (bored?). The summer is half over and I don't have any pending projects, except the redo of the 2 mugs for the custom order that did not turn out properly, and the fire bowl that is waiting for a bisque (plan is for this weekend). I'm not working on Saturdays, so that leaves a lot of extra time in the studio, but without a clear direction, I end up aimlessly puttering around. Perhaps I should use this “down” time to clean up my storage areas, wipe down shelves, throw crap out, reclaim clay....but it has been too hot to contemplate that kind of activity. The doors were all wide open on Friday night and all the fans were on full blast, but the kiln that was cooling off was impeding the cooling of the studio as well as my motivation level. I should note that the heat was last week and weekend, but this week is much cooler now, but still quite humid. Instead of 30 degrees (celcius) and feeling like 33 with the humidity, it is 23 and feels like 30. So a bit more bearable. It still feels like a pool locker room outside though. Just a bit moist out.


Things are changing a little at the studio. We finally got rid of the 40 cu.ft. gas kiln that had been hogging space at the front by the big loading door. When we moved to this new location, we had to give up high fired reduction :( and move to cone 6 electric. The cost of hooking up the gas in this location was insane, mostly due to the number of inspections required (civic, Provincial & Federal.due to the number of burners and the btu's involved) Anyway, for the past 3 years the “beast” has been sitting at the front of the shop waiting for someone to take it to a new home. Well, someone took it last week, and it is off to a better, more productive life. We will now have room to get the spray booth operational. We are going to vent it through a contraption that Dave put together consisting of a fan, a compressor and a block of a half dozen or so furnace filters. The filters will be removable so that as they begin to get clogged, they can be pulled out singly and replaced with fresh ones. It's not as “cool” as the waterfall booth at Medalta, but then for the amount of spraying we will be doing, this is more than adequate. What else am I up to? Well, I am cleaning my condo and then organizing my back bedroom/storage room/photography area/catch all room. I really really really need to get some photographs taken of my more recent work so that I can upload it to Etsy (currently the shelves are bare there). The cleaning bug was begun in response to the condo board needing access to my water shut off valves to ensure that they are up to code. This requires a plumber coming in to look at them. My momma done taught me to always have a clean home when there are visitors, and right now it is not fit for neither man nor beast, good thing I'm not a man, or a beast. It should be noted that my momma also done taught me how to clean, but I am never home very much and very lazy, so this is a sporadic, once in a blue moon thing for me. However, if you ever come to visit, rest assured that I will clean before you come, just give me a little notice ;). Mum, if you are reading this, just close your eyes and pretend you didn't.

I also read this today on Carole Epp's blog Musing About Mud
It is about a new venture that Feedlot Studios and Black Bird Studios are working on together. They want to start a ceramic decal printing business and are asking for donations to help get it underway. There is a Calgary connection with Feedlot and I might just give them a few bucks to help out.

Carole also posted this, and I might just have to buy it too. A book on ceramics design, perhaps it will help with my loss of the creative juicy stuff and help me focus my energy for good not evil.

Maybe I should stop reading blogs for a while, I seem to spend money when I do...But then, it is my birthday next week, and what better way to spend your money could there be than on yourself?
 
Enough, I am off to the studio to teach a class tonight, and then home to wash floors. Sounds like fun hey.

How Fast Can a Pot maker Pot?

I will soon find out just how quickly I can push the making process. Can I go from wet clay today to glazed pot in 1.5 weeks? Probably not, but I’m ‘gonna give it a go. The 18 mugs I made for a custom order took me from June 6th to the 24th to throw, dry (barely), bisque, glaze and fire again. I was just able to squeak in under the 1 month minimum deadline I usually give for this type of order due to the fact that I had, coincidentally, already thrown 10 mugs on June 3rd and was able to use them for this order. So in reality, I actually started the making 3 days earlier, so that means the whole process took 3 full weeks to complete. The other and more crucial factor was that I had the minimum amount of greenware waiting for bisque to be able to fire a fairly full load of pots in the bisque. I will not fire a load less than that so as not to waste energy, or run the risk of cracked pots. In the end, the planets were all lined up just right for getting things done on time.
Now we come to why I am going to attempt the improbable (if not the impossible). The customer for the mugs picked them up yesterday evening and today she has asked if I had any extras. She needs 2 more, but this time, could the text that was impressed into the mug be raised up on an appliqué? That’s doable, but the kicker is that she wanted to pick them up next Friday (I kyboshed this Friday right away). That is 9 days away, not including today. The other kicker is that I will not be back in the studio until Friday this week, so really, I only have 1 week. I know that will not be a goal I can achieve, so I think I can get away with 2 weeks, she just does not want to wait a month. My only issue once they are complete is how to fire them. I will probably have to use the small test kiln at Ceramics Canada to get them finished on time, at least to bisque. I have more than enough to fill a glaze load, but I will NOT have enough for a reasonably full bisque load.
It's my fault for saying yes, I know, but I am always up for a challenge, just not sure how the clay feels about it. It has been extraordinarily wet here for the past few weeks. 80% humidity in Calgary is pretty rare, but that’s what it was yesterday and the day before that, and the day before that etc. Then there is the 100% humid rain, the rising rivers and ground water seepage. Work that would normally be dry in a few days is still very squishy after a week. I will have to take advantage of the natural drying powers of the sun (if it can keep shining long enough for me to finish this), as well as strategically placed fans. I just have to keep thinking of this as a “marketing opportunity” that may result in future customers. I have said that a lot about similar “marketing opportunities” but then I start to count chickens before they hatch and I usually end up with a basket full of rotten eggs. I am what you would call a pessimistic optimist. I try to always look on the bright side of things, but I know that in the deep dark recesses of my mind, in the pessimistic corner where my alter ego lives, I am thinking of all the ways this could go off the rails. Handles will crack, appliqué’s will start to peel off, glaze will crawl, or pinhole, or they will just plain warp and come out looking slightly rhomboid. But then, maybe I worry too much.

Bitter Sweet and the Signs of Summer

I fired the kiln over the weekend and the mugs I was desperately trying to finish in time are all done and all perfect, except for one with a tiny surface S crack. I made one extra anyway, so now that one is mine. The overall firing however was a mixed bag. I had a few pots to re fire from the last kiln load that did not reach temp.
There were a few tall jars, a vase, 2 large plates, a large bowl and various tea bowls that I thought could all use a few extra degrees, so I put as many as I could in this firing.. The little tea bowls all came out better than when they went in, but the large and tall refired things all bloated, ran, or both.. The weird thing is that although I know the bloating is a cone 5 Bmix issue, I don’t usually have an issue with it, but it only happened on the tall pieces, and the big bowl. Now they look revolting. The little cups are all perfect (pics to come tonight maybe). The ones I am happiest with (other than the mugs) were my shellacked bowl and the square plates with the terra sig / shellac combo. I glazed them all in the translucent amber glaze and the black slip just works so perfectly with it. So I am about 70% happy with the results, but there were definitely some issues with this one.

That’s it for the Bitter, now for the Sweet: I am free for the summer. As of this last weekend, I will not be working on Saturdays during July and August. This will leave lots of extra time to play in the clay and perhaps experiment with glazes(?). I always say that I will devote more time to glaze tinkering over the summer, but I never really do. I try 1 or 2, get fed up and quit. We will be fooling around with cone 6 crystalline glazes in July, so there will be a fair amount of “experimenting” going on regardless.

I had visual confirmation this weekend that summer is officially here. The “campground” by the Stampede grounds is full of RV’s and trailers now. They sprang up like mushrooms over night. I am assuming that it is for the people that are actually in the Rodeo. I couldn’t imagine that anyone else would want to stay there. 1) It’s way too close to the grounds (therefore very noisy) 2) No Trees or grass, just hot blacktop 3) your neighbor can tell what you are eating for breakfast just by looking out his window into yours.

I have mixed feelings about the Stampede. I know that it is one of the big tourist attractions for our city and the money it brings in each year is appreciated by many businesses. However, I live about 2 blocks away from the grounds in the neighborhood of Mission. I can hear the fireworks every night, I know who is playing on the open air stages because I can clearly hear them and the screaming from the midway rides is actually quite deafening any time of the day or night. This year is going to be even better (the sarcasm is actually dripping it is so thick). It is the Stampede’s 100th anniversary this year and I hear tell of extra special fire works displays, among other celebratory hoo ha. This means that they will probably start earlier, go on much, much longer and will be extra loud.

I was at the stampede last year for the first time in about 10 years and it pretty much reinforced my dislike for the whole event. It was work related, so that was one good thing about it. as I did not have to sit in the office and slave away. I got there a bit early and wandered around the Midway while I waited for the rodeo to start (nothing like sitting in the hot sun wearing dark denim). After the rodeo, we all went down to the infield to mingle with the clients that the office had invited. I got my free beer ticket (I would never BUY beer there). It was Bud Lite, all the time, no other options and for someone who pretty much sticks to really dark ales and stouts, this was like drinking warm sugar syrup. I choked half of it down when one of the project managers “kindly” gave me another to drink. I’m sure she thought she was being nice, but the headache that quickly ensued caused me to leave early. On my way out of the grounds, I thought I would relive my childhood and get some cotton candy and a candy apple to take home (I’m a grown up now, I can get both at the same time if I want to). While standing in line I watched a rather dysfunctional family order their “food”. The mom had about a zillion holes in her face from the multiple piercings (not that there is anything wrong with body adornment, but it just adds to the visual here), the dad was a very meek and mild kind of person, and the kids, well, I just felt sorry for them. The mom got 2 candy apples and some floss for them and put the apples on the narrow little ledge of the “food” cart in order to open up their pack and stow them away. However, one of the kids decided he wanted his apple now, reached for it, but because his little arms were too short, he could not reach it and it tumbled to the ground, shattering the candy coating. The mother let loose the bluest streak I have ever heard, called him names, and made the kid cry. The husband went all beet red from embarrassment, but did not do anything to calm the raging beast-mom, or comfort/protect his projeny from her wrath. It’s only an apple for crying out loud (albeit an $8 apple).
By the time I got home, I was pretty ill. 1.5 Bud Lite + too much sun + too much denim = raging head ache. As you can probably tell by now, I am really looking forward to this year’s Stampede. It starts in 11 days, July 6th, yee haw :(
If you have never been to the Stampede, give it a go, you might like it (just don't forget your wallet). But if you do, please remember that Calgary is not all about Rodeos and red necks. We do have some culture, you just have to dig down past the cow patties to get to it.

A Potters Nightmare / Girl Interrupted

Sunday/Monday

As I mentioned in one of my last posts, I am in a bit of a time crunch to get some mugs finished that I have been commissioned to create. I backfilled all the handles on Friday and left them loosely covered over night until I could get back to them on Saturday after work. I left them uncovered in the sun on Saturday afternoon for about an hour and then put them uncovered on the plaster to hopefully wick out more moisture. On Sunday, I got to the studio bright and early (9am) & put the mugs outside to dry again for several hours. If a non potter were watching me, they probably wondered what the heck I was doing. Every half hour or so I would wander outside, pick a mug up and press the base of the mug against my cheek, shake my head and put it back down. This is the only method I know of to tell if there is any moisture left in the clay. If it is cold, it is probably still wet & my cheek is the body part I rely on to gague the level of dampness. I nervously began loading the bisque kiln at bout 2:00 and set it for a 2 hour delay and a 2 hour preheat, so it wouldn’t start until 4:00. I went home and that night I sweated bullets in my sleep worrying about the mugs. Could they have been a little too damp? Will the handles and bottoms get blown out by the moisture being boiled out too vigorously? All the worrying was for naught. I checked them on Monday, and all was well, now I am a couple days ahead of schedule. I was originally going to wait until Tuesday to fire the bisque, but now I can glaze instead and take my time to get that part right instead of rushing through it and then I can load on Friday night and unload Sunday. Even thought these are very simple mugs, I am really happy with how they have turned out so far. The handles are perfect (in my opinion). They are not too big, and not too small, they are juuust right. I also had a few shellacked pots in there that have the layer of coloured terra sig slip. I am eager to see how these come out in the glaze, especially since the process is rather time consuming. I want to know that going cross eyed from all the dots and squiggles was worth it. I am not 100% sure how they will end up glazed, but probably in the translucent Amber as I love the way it reacts with the rutile in the sig).

Tuesday
I taught my Tuesday class last night and the kiln was on from a firing that one of the other instructors had loaded and fired. It should have been done a long time before that. About a half hour into the class, the computer on the kiln started beeping indicating that it was not heating fast enough, and it shut off at 2140 F when it was trying to reach 2175 F. I have a sneaking suspicion that this load only reached cone 4. So that means that my load of mugs etc will not be fired in that kiln this weekend as I had planned. Now I will be madly glazing on Friday night in order to pack it all up and take it to Ceramics Canada on Saturday to load in their kiln. I got the feet waxed on the mugs and a few other pieces, so I’m a little bit ahead.

Dodging Murphy's curve ball

It might just work out in the end, but its gonna be tight (just like OJ's glove). The kiln is getting a new element today (fingers crossed) and then my stuff will be re-fired tonight. So Friday I will be unloading that kiln, then pricing and cataloguing everything else. it's gonna be a long Friday night.


I must say that even though everything was just a tad bit under fired, the glazes looked OK. I still want to refire though, the feet felt a little dry and the glazes were not 100%. The gloss liner glaze was satin, the translucent brown had a purple/bluish haze with little depth, the black and rutile slip on my bas relief stuff did not develop as nicely as it has in the past (begins to react with the glaze and forms a milky opalescence where the glaze pools) and again, the F96 brown clay was still quite orange. I always worry with a refire that the glazes will run off the pots and stick to the shelf. They had already started to flow the first time round, and now will be subjected to a full firing again. Luckily, most of my feet are quite substantial. I love a nice fat foot. However, I have several tall jars and vases that have flat bottoms and the glaze stops quite close to the bottom. Everything should be ok, but you never know.

So, if all goes well, I will have everything priced and packed on Friday night. If I don’t sell anything, then on Sunday I will be posting a whole bunch of stuff on Etsy, so look out...

Always open your mail…

Well, I finally got around to doing my taxes. Nothing like the night before the deadline to get it done. Reminds me of how I used to do things in University. Always put off doing it today, ‘cause you can always do it tomorrow…plus, "I work better under pressure".


While doing my taxes, I learned a “valuable” lesson. Always open your mail as soon as you get it. I had been stockpiling all of my tax info in one pile (that's pretty good for me), and it was waiting for me when I began doing my taxes last night. There were a few envelopes in the stack that had not been opened, but I knew what they were (I thought). They were T4’s (income statements), RRSP statements etc. I opened one up, and low and behold, it was a cheque for $2200 that I had been waiting for. It was the share payout from the last place I worked at. I wasn’t at the point of worrying about it yet, as I know that things can be slow when it comes to actually paying someone money. I guess I must not have seen it in the pile, but it just goes to show you, open all your mail, even if you think it is a bill, or something else equally horrible, it might just be a nice surprise. So, I have to pay the MAN $500+ more in taxes, but in the end, I am a bit further ahead than I was yesterday. I must have stockpiled some good Karma somewhere along the way.

I am off to post my pound of flesh to the tax man after work, and then to unload the kiln at Ceramics Canada. I had a peek at it yesterday when I opened it up, and everything looks just right. It was just a little warm and I didn’t have any gloves handy to unload yesterday, so today I can take some pots home to actually price before the sale on Saturday. Hopefully my stockpile of good Karma helped with this firing. I hate it when the top shelf just teases you and the further down you go the less happy you get…

I WILL take pictures tonight. I always forget to take pics of pots before a sale, but I will tonight, I promise...

Murphy Sucks!

I mentioned in my last post that I would have some pictures of my latest firing. I need to retract that statement. In fact, what I should have said was that I am firing and if the kiln manages to fire properly, I will take pictures. I guess one of the elements shuffled off it’s mortal coil during my glaze firing on Sunday night. We thought all was well when we replaced a burned out element, a week or so ago, but lurking in the back ground was another element waiting to screw up a firing. This would not normally bother me too much, but the sale is only 9 days away, and now the student work will back up again. The kiln actually got to about cone 5, maybe 5.5, so everything looks ok from a distance, but when you actually get up close, you can see that most everything is under fired. The gloss glazes are very satin, the red bodies are too orange when they should be a dark nutty brown and the porcelain just looks dry & not quite vitrified. To remedy this situation, I am going to pack the lot up on Friday and load as much as I can into the slightly smaller kiln at Ceramics Canada and fire it off over the weekend. Then I will spend all day Sunday glazing the last few things I have not had a chance to get to, just in case I am able to load a kiln on Tuesday night (you never know). If not, then this is it, that’s all I can do. I always seem to think that I don’t have enough for a sale, when in fact, I always have too much. Kinda like when you are a kid, and you are confronted with a salad bar. You always load your plate up with more than you should, or that your stomach can hold, and you haven’t even had dinner yet. I recall once when my sister and I were little, my parents took us to Disney Land and we were in a restaurant with a very large salad bar. This salad bar was different than the ones we were used to though. It was kinda like a salad / dessert bar. My sister came back to the table with (no joke) a plate full of whipped cream instead of salad.
This sale does not require much in the way of prep, but I will need to price everything, so the night before the sale, I will be madly stickering, as usual.

out of the kiln

Emptied the glaze load last night, and for the most part I was happy. All of the pitchers and utensil holders that I had on order were all successful. No glaze drips, crawling, pinholes, spalling, cracks. I had some issues with a new glaze I am testing out. It is a commercial stoneware glaze that Ceramics Canada brings in. It comes in a 5lb bag and all you have to do is add water and stir, sounds easy. Well, for the most part yes, but as with any commercial glaze, you never know what you are going to get, as their test tiles in the store usually don’t look anything like what it does on an actual piece. I have  discovered that this cinnabar needs to be on really thick to get a nice rich red, instead of a thin ketchup look. Ketchup is nice in your burger, but not on your teapot. So, I will have to fire that one again to get it to look a little less like ketchup. I pulled a total rookie move too. Apparently I should not be allowed to glaze when tired or rushed. I had a tall canister in there that looked like it fired pretty well, but the lid was stuck. I usually just have to give it a tap and Bob’s your uncle. This time, no such luck. I peered in the space betwixt the lid and the rim, and I could see the faint glimmer of a bit of glaze in there. How the heck did that happen, I always clean that area really well after glazing to avoid just this problem. So, knowing it was a lost cause, I stuck a slot head screwdriver in there and popped the lid off (and part of the rim). What did I see? I had totally forgotten to wipe this lid clean. I must have put it on the jar and said “I’ll get to that in a moment” and then promptly forgot and loaded it that way. What a moron. Oh well, such is life. I didn’t really like the glaze that much anyway.

Here are some pics of some of what came out of the kiln.

Just some pitchers all lined up

Tea pot using Kanthal wire as my knob (not sure I like it, but I have never done that before, so what they hey) I might try using a thinner gague high temp wire next time.

Here's the ketchup teapot. Looks ok from this angle, but the glaze on the lid is a little thin, and you can see that same thin looking glaze on the top side of the spout.

Hand built butter dish

Cider jug with stopper. Although, I am sure you could put other potent potables in there too.