New Pots on Etsy

I finally got around to posting a few new pots on Etsy. Just 4, but better than nothing. Here are a few images.

 

doldrums and other stuff

I'm feeling like I'm at a creative loss right now (bored?). The summer is half over and I don't have any pending projects, except the redo of the 2 mugs for the custom order that did not turn out properly, and the fire bowl that is waiting for a bisque (plan is for this weekend). I'm not working on Saturdays, so that leaves a lot of extra time in the studio, but without a clear direction, I end up aimlessly puttering around. Perhaps I should use this “down” time to clean up my storage areas, wipe down shelves, throw crap out, reclaim clay....but it has been too hot to contemplate that kind of activity. The doors were all wide open on Friday night and all the fans were on full blast, but the kiln that was cooling off was impeding the cooling of the studio as well as my motivation level. I should note that the heat was last week and weekend, but this week is much cooler now, but still quite humid. Instead of 30 degrees (celcius) and feeling like 33 with the humidity, it is 23 and feels like 30. So a bit more bearable. It still feels like a pool locker room outside though. Just a bit moist out.


Things are changing a little at the studio. We finally got rid of the 40 cu.ft. gas kiln that had been hogging space at the front by the big loading door. When we moved to this new location, we had to give up high fired reduction :( and move to cone 6 electric. The cost of hooking up the gas in this location was insane, mostly due to the number of inspections required (civic, Provincial & Federal.due to the number of burners and the btu's involved) Anyway, for the past 3 years the “beast” has been sitting at the front of the shop waiting for someone to take it to a new home. Well, someone took it last week, and it is off to a better, more productive life. We will now have room to get the spray booth operational. We are going to vent it through a contraption that Dave put together consisting of a fan, a compressor and a block of a half dozen or so furnace filters. The filters will be removable so that as they begin to get clogged, they can be pulled out singly and replaced with fresh ones. It's not as “cool” as the waterfall booth at Medalta, but then for the amount of spraying we will be doing, this is more than adequate. What else am I up to? Well, I am cleaning my condo and then organizing my back bedroom/storage room/photography area/catch all room. I really really really need to get some photographs taken of my more recent work so that I can upload it to Etsy (currently the shelves are bare there). The cleaning bug was begun in response to the condo board needing access to my water shut off valves to ensure that they are up to code. This requires a plumber coming in to look at them. My momma done taught me to always have a clean home when there are visitors, and right now it is not fit for neither man nor beast, good thing I'm not a man, or a beast. It should be noted that my momma also done taught me how to clean, but I am never home very much and very lazy, so this is a sporadic, once in a blue moon thing for me. However, if you ever come to visit, rest assured that I will clean before you come, just give me a little notice ;). Mum, if you are reading this, just close your eyes and pretend you didn't.

I also read this today on Carole Epp's blog Musing About Mud
It is about a new venture that Feedlot Studios and Black Bird Studios are working on together. They want to start a ceramic decal printing business and are asking for donations to help get it underway. There is a Calgary connection with Feedlot and I might just give them a few bucks to help out.

Carole also posted this, and I might just have to buy it too. A book on ceramics design, perhaps it will help with my loss of the creative juicy stuff and help me focus my energy for good not evil.

Maybe I should stop reading blogs for a while, I seem to spend money when I do...But then, it is my birthday next week, and what better way to spend your money could there be than on yourself?
 
Enough, I am off to the studio to teach a class tonight, and then home to wash floors. Sounds like fun hey.

Residency Envy

I'm Soooo Jealous....


I have been reading more than a few blog posts lately regarding artist residencies and the potters that are currently in them, will be in them, or just finished them. I am so green right now.

I sometimes wish that I had a less stable life. One that afforded me the time (although perhaps not the money) to pursue these opportunities without having to worry about how to take a prolonged “holiday” and still have a job when I got back. I guess that is a conundrum for most people. When you have the time, you don't have the money, and when you have the money, time is in short supply. I only get 2 weeks paid holiday a year, so that would need to be banked for a while in order to even think about taking a long sabbatical from work. Other than people like Warren Buffet and Bill Gates, who can afford to go for any length of time without a pay cheque? I keep trying for the lottery (through work). I don't want to be that schmuck that didn't put in and then they win and you are the only one running the joint when they are all sitting on a beach somewhere drinking mojitos.

The Renaissance guys had some of it right, they had the Patron. I think we need these to come back. To have a wealthy benefactor that supports an artist or artists in what they do, thereby allowing them to focus fully on their ideas and expand their creative horizons without having to worry so much about the mundane things in life that pull our attentions away. I'm just dreaming of course and I'm sure that there were some problems with that system of support. Like what happens when your patron dies, or loses it all in the stock market etc. All I want is someone to pay me to make stuff that I love because they love it, is that too much to ask? I jest of course. The 1% don't want to support me and the other sort of starving artists out there. Unless they do, and we just have not asked them nicely.

Dear Mr. Gates,


I am writing this to you in the hopes that you really need a new dinner service, teapot, coffee mug, soup tureen, casserole... but just can't find what you are looking for. If you could pay my way in the world, I will make you the most KICK A$& dinner service, teapot, coffee mug, soup tureen, casserole... ever.


Sincerely,


Ashley



Do you think it will work?

Probably not.

Back to the Lottery plan it is then.

It’s Here…

Thursday, July 5th was the first “unofficial” night of the Calgary Stampede. On the Thursday evening before the stampede begins they have a “Sneak a Peak” night that lets you get into the grounds to check out all the new and different ways you can spend your money and churn your stomach on the Midway before the official opening on Friday.

I may have mentioned before that I live very close to the grounds. According to Google, I only live (as the crow flies) 777m from the Grandstand (where they hold the Rodeo, the grandstand show, shoot off fire works etc). This is just over ¾’s of a km (just shy of half a mile). If the wind is blowing right I could spit that far. This short distance, and the fact that this is the 100th anniversary of the first Stampede, made for an especially loud evening. I think they also turned all the deep fryers on at the same time. I could smell deep fryer fat on my patio (must have been the mini donuts). The Coca Cola stage was in full swing, the rides were flinging screaming people around and the fireworks were, as promised, very, very loud. Even though I live close, I don’t get to see them. I face the wrong way. So all I get is the noise and perhaps some reflected light off of one of the taller buildings in my area. Not that exciting.

It’s not all bad. I do get to see some funny things while the stampede is in full swing. I was sitting on my patio on Saturday night, just reading a book and listening to the sounds of the inner city when I watched a “cowboy” walk by. Of course he was not a real cowboy. This was one of those urban cowboys that only dress the part for 10 days of the year. Anyway, the path he was describing was not the straight line of the sidewalk, it was more of a meandering swerving back and forth, and he was walking really oddly, more of a jerky shuffle as if his feet didn’t know when his body had stopped and vice versa.

On the clay front, I was in the studio all weekend, but it was just too hot to do much of anything. I decided to pack it in yesterday when the sweat began to drip down my face while throwing. I did manage to get the 2 extra mugs for the special order glazed and fired. They went into the test kiln, but they came out all gross. The ^5 BMix decided to bloat, and now they have little bumps all over them. I think the test kiln just gets too hot. If I had been able to fire them in a regular kiln load of pots I don’t believe this would have happened. These are the things that happen when you rush clay faster than it wants to go.

Bozo

Everyone can stop worrying and putting up Lost & Missing posters of something that we have never seen, they found the bozon. That is not a typo, as far as I know, no bozos were harmed in the search for the bozon. For all the non partical physicists out there (me included), in a nutshell, this is what Wikipedia has to say on the matter (no pun intended).

There is this guy named Higgs, and he came up with the Higgs Mechanism and a thingy called the Higgs field that relies on the existence of a subatomic partical called the “Higgs Bozon”. The Higgs Mechanism essentially explains why other elementary particles have mass. If the Bozon had not been found, then the Higgsless models would have been considered as more viable explanations. If these alternatives are anything like going braless, I am sure they are not as supportive as the Higgs mechanism.

I thought kinda hard to get that worked in there somehow, don’t hate me because I pun

http://www.telegraph.co.uk/science/science-news/9376804/Higgs-Boson-Prof-Stephen-Hawking-loses-100-bet.html

What I did for the Canada Day Long Weekend...

Ok, so I'm a little behind with this

On Friday, I met a new customer who is looking for a custom made bowl. He had, and I quote, “a very vivid dream” about the bowl and was looking for someone to create it for him. Apparently it is a “ceremonial fire bowl”. There will be a bowl that will go inside this bowl that will contain the fire, so I don’t have to worry about direct contact with the flame, but I decided to use a really groggy body to help prevent any issues with thermal shock. The bowl itself is fairly simple, ~10” in diameter and ~5-6” tall. There are some specific design elements that he is looking for. He wants 6, equally spaced “people” around the outside. At least I think they are people. Essentially, a “Y” with a circle in the upturned arms of the “Y”. He wants the “people” to be turquoise, and the rest of the bowl to be a medium brown, easy peasy. I threw the bowl on Saturday, trimmed it on Monday and then cut out the “people” from a thin slab of clay and then attached them. I rounded all the harsh corners and I think it looks pretty darned good. I figure it will take about 1 month to finish, as I want to dry it really slowly to avoid inadvertent peeling up or cracking off of the appliqués.

Friday was also the day that I completed the additional 2 mugs for the custom mug order that I delivered last week. They wanted 2 more, but with a raised appliqué with the initials and year. I did everything I could to get them done in one day, as this customer wants them by this Friday (if possible). I really doubt the completion time, but I may be able to squeak it through if I can access a small test kiln to do both the bisque and the glaze. I might be able to sneak them into a student kiln load when Dave isn’t looking.

The customer who wants the custom bowl was more than OK with the 1 month timeline. He was just really happy that I took this project on. I guess he had looked into this a little bit and found it really difficult to find anybody that would do it. Are all the potters out there just so overloaded with work that they are turning it away? I doubt it.

Aside from these 2 custom orders, I threw several large casseroles and cannisters, , and one complete rip off of a “pumpkin” casserole. I had been reading some past blog entries from John Bauman and was inspired to “copy” his method. I have made lots of pumkiny pots before (mostly teapots), but I have always carved out the “lobes” of the pumpkin. I was particularly keen to try out his method of attaching the “knob” which is a pulled handle in the shape of a pumpkin stem. I have always either used a different coloured clay, or glazed the clay a different colour for the handle. John paints on an iron rich slip midway through the pulling process and then continues pulling to incorporate the iron into the clay. Of course he did this without getting any iron on his nice white stoneware pot. Mine looks like it was in the middle of a bloodbath.

Sorry for the blurry pics, they were taken with my iphone and not the new camera.

This is the Fire Bowl (now under wraps for a while to dry)

Here is one of the casseroles (the other ones not pictured were thrown from BMix)

And lastly, a cannister and a pumpkin pot. I wiped it clean for the photograph. . Also, I don't believe John puts the handles on the sides of his pots. His pumpkins are more true to life.

Many Hands Make Light Work

My Mum always said that many hands make light work (or something like that), turns out she was right. Yesterday was the Fairview Studios Semi Annual Scrub Down. 10-12 students showed up around 5:30 to scrub the floors until you could eat off them. OK, I wouldn’t eat off them, but they did get scrubbed, hosed and wet vac’d until you could see bare concrete.

On a side note: If you EVER want to build your own studio and decide to go the bare concrete floor route, I highly recommend sealing it. Concrete might be forgiving of spilled clay slop and other pottery studio messes, but it does not clean up well if it is not sealed. The previous tentant had used this space to park their vehicles in, so the floor was pretty well beyond sealing it when we moved in (residual oil drips, dirt, etc)

If you are a safety conscious person, this would probably make you cringe. We got the hose out and sprayed down the floor (after moving all the wheels and tables etc to one side), scrubbed with a deck brush and then sucked up the water with a shop vac. The cord for the vac did not reach far enough to get to all the nooks and crannies, so we plugged it into several long extension cords. The plug ends of said cords spent a lot of time in puddles of water. What’s wrong with a little full body electro shock treatment?

Since we did not manage to electrocute ourselves, we got out of the studio around 7:15. Most of us headed over to the Dog & Duck for a couple of pints and some food. This was to also be the wind up party for the Water Valley Celtic Music Festival that Dave has been putting on for the past 14 years. The music was good, the food was good and the Guinness was great. They even go to the effort of putting the shamrock on the head. Most places don’t as it is too much of a bother to pull a pint of G, much less decorate it.

How Fast Can a Pot maker Pot?

I will soon find out just how quickly I can push the making process. Can I go from wet clay today to glazed pot in 1.5 weeks? Probably not, but I’m ‘gonna give it a go. The 18 mugs I made for a custom order took me from June 6th to the 24th to throw, dry (barely), bisque, glaze and fire again. I was just able to squeak in under the 1 month minimum deadline I usually give for this type of order due to the fact that I had, coincidentally, already thrown 10 mugs on June 3rd and was able to use them for this order. So in reality, I actually started the making 3 days earlier, so that means the whole process took 3 full weeks to complete. The other and more crucial factor was that I had the minimum amount of greenware waiting for bisque to be able to fire a fairly full load of pots in the bisque. I will not fire a load less than that so as not to waste energy, or run the risk of cracked pots. In the end, the planets were all lined up just right for getting things done on time.
Now we come to why I am going to attempt the improbable (if not the impossible). The customer for the mugs picked them up yesterday evening and today she has asked if I had any extras. She needs 2 more, but this time, could the text that was impressed into the mug be raised up on an appliqué? That’s doable, but the kicker is that she wanted to pick them up next Friday (I kyboshed this Friday right away). That is 9 days away, not including today. The other kicker is that I will not be back in the studio until Friday this week, so really, I only have 1 week. I know that will not be a goal I can achieve, so I think I can get away with 2 weeks, she just does not want to wait a month. My only issue once they are complete is how to fire them. I will probably have to use the small test kiln at Ceramics Canada to get them finished on time, at least to bisque. I have more than enough to fill a glaze load, but I will NOT have enough for a reasonably full bisque load.
It's my fault for saying yes, I know, but I am always up for a challenge, just not sure how the clay feels about it. It has been extraordinarily wet here for the past few weeks. 80% humidity in Calgary is pretty rare, but that’s what it was yesterday and the day before that, and the day before that etc. Then there is the 100% humid rain, the rising rivers and ground water seepage. Work that would normally be dry in a few days is still very squishy after a week. I will have to take advantage of the natural drying powers of the sun (if it can keep shining long enough for me to finish this), as well as strategically placed fans. I just have to keep thinking of this as a “marketing opportunity” that may result in future customers. I have said that a lot about similar “marketing opportunities” but then I start to count chickens before they hatch and I usually end up with a basket full of rotten eggs. I am what you would call a pessimistic optimist. I try to always look on the bright side of things, but I know that in the deep dark recesses of my mind, in the pessimistic corner where my alter ego lives, I am thinking of all the ways this could go off the rails. Handles will crack, appliqué’s will start to peel off, glaze will crawl, or pinhole, or they will just plain warp and come out looking slightly rhomboid. But then, maybe I worry too much.

Bitter Sweet and the Signs of Summer

I fired the kiln over the weekend and the mugs I was desperately trying to finish in time are all done and all perfect, except for one with a tiny surface S crack. I made one extra anyway, so now that one is mine. The overall firing however was a mixed bag. I had a few pots to re fire from the last kiln load that did not reach temp.
There were a few tall jars, a vase, 2 large plates, a large bowl and various tea bowls that I thought could all use a few extra degrees, so I put as many as I could in this firing.. The little tea bowls all came out better than when they went in, but the large and tall refired things all bloated, ran, or both.. The weird thing is that although I know the bloating is a cone 5 Bmix issue, I don’t usually have an issue with it, but it only happened on the tall pieces, and the big bowl. Now they look revolting. The little cups are all perfect (pics to come tonight maybe). The ones I am happiest with (other than the mugs) were my shellacked bowl and the square plates with the terra sig / shellac combo. I glazed them all in the translucent amber glaze and the black slip just works so perfectly with it. So I am about 70% happy with the results, but there were definitely some issues with this one.

That’s it for the Bitter, now for the Sweet: I am free for the summer. As of this last weekend, I will not be working on Saturdays during July and August. This will leave lots of extra time to play in the clay and perhaps experiment with glazes(?). I always say that I will devote more time to glaze tinkering over the summer, but I never really do. I try 1 or 2, get fed up and quit. We will be fooling around with cone 6 crystalline glazes in July, so there will be a fair amount of “experimenting” going on regardless.

I had visual confirmation this weekend that summer is officially here. The “campground” by the Stampede grounds is full of RV’s and trailers now. They sprang up like mushrooms over night. I am assuming that it is for the people that are actually in the Rodeo. I couldn’t imagine that anyone else would want to stay there. 1) It’s way too close to the grounds (therefore very noisy) 2) No Trees or grass, just hot blacktop 3) your neighbor can tell what you are eating for breakfast just by looking out his window into yours.

I have mixed feelings about the Stampede. I know that it is one of the big tourist attractions for our city and the money it brings in each year is appreciated by many businesses. However, I live about 2 blocks away from the grounds in the neighborhood of Mission. I can hear the fireworks every night, I know who is playing on the open air stages because I can clearly hear them and the screaming from the midway rides is actually quite deafening any time of the day or night. This year is going to be even better (the sarcasm is actually dripping it is so thick). It is the Stampede’s 100th anniversary this year and I hear tell of extra special fire works displays, among other celebratory hoo ha. This means that they will probably start earlier, go on much, much longer and will be extra loud.

I was at the stampede last year for the first time in about 10 years and it pretty much reinforced my dislike for the whole event. It was work related, so that was one good thing about it. as I did not have to sit in the office and slave away. I got there a bit early and wandered around the Midway while I waited for the rodeo to start (nothing like sitting in the hot sun wearing dark denim). After the rodeo, we all went down to the infield to mingle with the clients that the office had invited. I got my free beer ticket (I would never BUY beer there). It was Bud Lite, all the time, no other options and for someone who pretty much sticks to really dark ales and stouts, this was like drinking warm sugar syrup. I choked half of it down when one of the project managers “kindly” gave me another to drink. I’m sure she thought she was being nice, but the headache that quickly ensued caused me to leave early. On my way out of the grounds, I thought I would relive my childhood and get some cotton candy and a candy apple to take home (I’m a grown up now, I can get both at the same time if I want to). While standing in line I watched a rather dysfunctional family order their “food”. The mom had about a zillion holes in her face from the multiple piercings (not that there is anything wrong with body adornment, but it just adds to the visual here), the dad was a very meek and mild kind of person, and the kids, well, I just felt sorry for them. The mom got 2 candy apples and some floss for them and put the apples on the narrow little ledge of the “food” cart in order to open up their pack and stow them away. However, one of the kids decided he wanted his apple now, reached for it, but because his little arms were too short, he could not reach it and it tumbled to the ground, shattering the candy coating. The mother let loose the bluest streak I have ever heard, called him names, and made the kid cry. The husband went all beet red from embarrassment, but did not do anything to calm the raging beast-mom, or comfort/protect his projeny from her wrath. It’s only an apple for crying out loud (albeit an $8 apple).
By the time I got home, I was pretty ill. 1.5 Bud Lite + too much sun + too much denim = raging head ache. As you can probably tell by now, I am really looking forward to this year’s Stampede. It starts in 11 days, July 6th, yee haw :(
If you have never been to the Stampede, give it a go, you might like it (just don't forget your wallet). But if you do, please remember that Calgary is not all about Rodeos and red necks. We do have some culture, you just have to dig down past the cow patties to get to it.

Glazing, Firing & Drinking Irish Whiskey

Kiln is fixed! I should be ok to fire this weekend. So glazing/loading tonight and if I can fill the kiln, then I will fire it off tonight as well. That should not be an issue as I always have stuff kicking around that has been glazed, but not fired, and then there is that whack of stuff that needs to be re fired from the last time a kiln element blew.


So, that will be my evening. I don’t want to have to unload a kiln of mugs the same day that they are picking them up. That would be too nerve wracking.

We are having our 2nd semi annual studio clean up day next Wednesday. We have been in the space for 3 years, and have had difficulties cleaning and maintaining it. Because it is a privately owned recreational studio, with all different kinds of people, cleanliness can be an issue. Some people don’t feel that they should have to clean up things like wedging tables, plaster tables, the floor around their wheel etc as they pay to come here to get away from cleaning at home. They feel it is the ownerships responsibility. Others are just plain forgetful, and others are just lazy (I probably fall in that category to some degree)

One person can not maintain the space on their own. The floors are unsealed concrete and they do not clean up well. If this was a city run operation, then there would be a budget for cleaners etc. The bonus for coming in to clean the studio is that we will all be going out to the Dog & Duck for a wind up party for the Water Valley Celtic Music Festival. There will be some of the musicians from the festival in attendance and I am sure the music will be great, as usual.

In the discussion surrounding this clean up / wind up “party”, Dave, our fearless leader, was regaling stories from our trip to Ireland to anyone that would listen. Apparently I am an alcoholic, at least in his version of events (which get distorted with every telling). Yes, I was seen taste testing various scotches, bourbons & Irish whiskeys at the Middleton Distillery near Cork (they used to make Jameson’s there) and was a bit flushed in some of the post distillery pictures. You can’t visit and not do that. I learned several things that day. I learned why I don’t like scotch, and why I actually do like Irish whiskey best. I do not like the taste of burnt dirt (aka smoky peat). I also like it because it is triple distilled, unlike bourbon (aka corn whiskey) which is traditionally only distilled once.

Yes, I was also seen lifting a pint or 2 of Murphy’s Stout and Guinness on occasion. But to hear Dave tell it, I was sloshing everywhere we went. BTW, I like Murphy’s better than Guinness, but I don’t believe you can get it here in Canada, at least not this far west, but then I have not looked that hard either. I have to say, that with the amount of food we ate, and most of it being in the form of soda bread, spotted dick, more bread, breaded fish, chips, potatoes etc… it’s a wonder anyone can get drunk in Ireland. When we were at Marcus’s for the salt firing and other pottery related demos etc, we started our day with oatmeal, at 10:00 we stopped for a tea break that usually included scones, spotted dick, other assorted bready items etc. Then there was lunch, and the 2:00 tea break and then dinner at about 6. By then, I had consumed my carbohydrate allotment for the year. I should mention that just before we went on this wee adventure, I had been on the Atkins Diet which contains absolutely no refined or processed carbs of any kind. I fell off that carb wagon very fast. It didn’t hurt much as bread is soft and apparently I was drunk anyway.

A Potters Nightmare / Girl Interrupted

Sunday/Monday

As I mentioned in one of my last posts, I am in a bit of a time crunch to get some mugs finished that I have been commissioned to create. I backfilled all the handles on Friday and left them loosely covered over night until I could get back to them on Saturday after work. I left them uncovered in the sun on Saturday afternoon for about an hour and then put them uncovered on the plaster to hopefully wick out more moisture. On Sunday, I got to the studio bright and early (9am) & put the mugs outside to dry again for several hours. If a non potter were watching me, they probably wondered what the heck I was doing. Every half hour or so I would wander outside, pick a mug up and press the base of the mug against my cheek, shake my head and put it back down. This is the only method I know of to tell if there is any moisture left in the clay. If it is cold, it is probably still wet & my cheek is the body part I rely on to gague the level of dampness. I nervously began loading the bisque kiln at bout 2:00 and set it for a 2 hour delay and a 2 hour preheat, so it wouldn’t start until 4:00. I went home and that night I sweated bullets in my sleep worrying about the mugs. Could they have been a little too damp? Will the handles and bottoms get blown out by the moisture being boiled out too vigorously? All the worrying was for naught. I checked them on Monday, and all was well, now I am a couple days ahead of schedule. I was originally going to wait until Tuesday to fire the bisque, but now I can glaze instead and take my time to get that part right instead of rushing through it and then I can load on Friday night and unload Sunday. Even thought these are very simple mugs, I am really happy with how they have turned out so far. The handles are perfect (in my opinion). They are not too big, and not too small, they are juuust right. I also had a few shellacked pots in there that have the layer of coloured terra sig slip. I am eager to see how these come out in the glaze, especially since the process is rather time consuming. I want to know that going cross eyed from all the dots and squiggles was worth it. I am not 100% sure how they will end up glazed, but probably in the translucent Amber as I love the way it reacts with the rutile in the sig).

Tuesday
I taught my Tuesday class last night and the kiln was on from a firing that one of the other instructors had loaded and fired. It should have been done a long time before that. About a half hour into the class, the computer on the kiln started beeping indicating that it was not heating fast enough, and it shut off at 2140 F when it was trying to reach 2175 F. I have a sneaking suspicion that this load only reached cone 4. So that means that my load of mugs etc will not be fired in that kiln this weekend as I had planned. Now I will be madly glazing on Friday night in order to pack it all up and take it to Ceramics Canada on Saturday to load in their kiln. I got the feet waxed on the mugs and a few other pieces, so I’m a little bit ahead.

Time Crunch

I took a quick look at the calendar (eeek)….I know I am in a bit of a time crunch here with these mugs, but I guess my brain had not quite fully realized how much of a crunch it was until just now. I have 13 days, including today to dry, bisque, glaze and deliver them. The first batch of 10 are mostly dry now, just sitting under loose plastic to protect the handles from drying too quickly. The 2^nd batch of 9 is assembled, but the handles have yet to be backfilled. So once I get that done tonight, they will be dried as quickly as possible and probably fully uncovered on Sunday. I will attempt to bisque fire on Tuesday night, as I need to fire a glaze load sometime next weekend if I have any chance of meeting the June 27^th deadline. It is supposed to be partially cloudy and 24 degrees on Saturday, so I may take the chance and dry them outside for a while. The problem is that it has been so wet here. Last Tuesday there was a torrential downpour with intense thunder and lightning, it rained on Wednesday, some on Friday and the weekend. Then this week has been more of the same. Clay does not dry well in this weather at all. Usually the problem with Calgary is that it is too dry and things can get away from you if you don’t keep a close eye on the moisture content. I often double wrap my work in plastic and will even go so far as to cover the ware board in plastic before I wrap it up so as not to let too much water wick out of the pot into the board. Usually over the summer, if I spend all day at the studio, I can throw a teapot in the morning and have it fully trimmed and assembled by the afternoon. In fact, this weather is reminding me of Ireland. We were there for 7 days and it took forever for anything to dry. Good thing we brought our bisqued teabowls with us for the salt firing. I don’t think anything we made there ever fully dried by the time we left.

When the Potters Take You, it is the End!

I was listening to the radio last night before I went to sleep and the station I had it set to plays old radio shows from 11pm to 1am. I happened to catch this one last night “Dimension X – Potters of Firsk” If you want to have a listen, go to archive.org and you can look it up. It is great…in that cheesy 1950’s Sci-Fi kinda way. Apparently there was a band of renegade potters living in the foothills of a volcano on a distant planet who would claim the dead of the nearby villages and use the bones for their glazes. If there were not enough dead people, then they would kidnap living people. Apparently they were easily convinced to stop this practice in return for a yellow glaze recipe and a less bloody source of tricalcium phosphate (aka bone ash). Tooo funny.


If only the potters of Earth could demand that kind of fear and respect (without the body count of course). “Come to our pottery sales, or reap the consequences” something like that.

I wonder what was going through the mind of the person or persons who wrote this story? Were they that hard up for a plot?

Can't we all just slow down a bit?

I’m sure this has already been written about a zillion times, but here is my take on it as it pertains to a craft that is by its very nature, slow.

Ever since the introduction of the personal computer and by extension, the internet, our lives have become a bit more hectic (as if you needed me to tell you that.). Every time you turn around now, the new technology that just came out is obsolete. It also seems that along with the increased pace of turning out the newest, fastet, smarter gadget, so too has our desire to be instantly gratified. Everyone wants what they want now, not tomorrow, and definitely not next week or next month. OK, so what’s my point?

Well, here it is. I got a referral last week for an order of approximately 24 personalized mugs. Sounds great and I have no issues doing small orders as that is usually all I have time for. They wanted oversized coffee mugs with a specific text stamped either on the side or the bottom. Again, not a problem. I did mention that I usually require about 1 month to complete these types of orders. They came back to me and said that they needed them by June 28th. I agreed, as it was not that far off from the month that I would usually require and as luck would have it, I had already thrown 10 mugs the previous weekend but had yet to trim or attach handles, so they would work. My issue is not by any means with this particular order, but it did cause me to reflect on the reality of making pottery by hand (vs machine) and what the general buying public seems to expect when it comes to the hand made vs the machine made product.

I have run into this scenario a few times:

Customer: “I was wondering if you could make me a gift for a wedding present.”

Me: “Sure, no problem, when is the wedding, or when do you need to have it by?”

Customer: “Next week, Friday at the latest.”

Me: While trying not to choke “Um, no, I can’t do it by then, but would you like to look at some of the stuff I have that is already finished?”

Customer: “I was hoping to have it personalized with their names and the date of the wedding, so no. How come you can’t make it by Friday?”

You can see where I am going with this. There is a perception out there that what you want/need now, should just be available to you whenever you want it. For these people, I am very glad that Wally World and other similar purveyors of crap exist.

The slow process of making pottery is not meant for this type of consumer. I have tried to explain to more than a few people, when they ask how long it takes to make something, that it is more than just the making. I could say “Oh, about a minute”, but that would only apply to the initial throwing of the basic form. I could also say “ about a month” as that is sometimes how long it takes for things to dry, trim, attach handles, dry some more, bisque fire, glaze, fire again”, or (in my case) I could say (and I know they never really get this) “12 years”, to which I usually get blank stares.

I even had someone question why it took me so long, because they were able to pick up the mugs they made with their kids at the u paint it place the day after they did them.

I don’t think she saw my eyes roll to the back of my head…

So, not to be a Luddite or anything, but there seems to be an odd overlap of wants and expectations born from the mechanized mass produced world, with the hand made world. To me, it seems that the consumer must be unconsciously thinking “I want to buy a unique, hand made object that means more to me than what I can buy at the big box store, but I don’t want to spend too much, and I don’t want to have to think ahead and just be able to pick it up off the shelf as soon as I need it”. They want the best of both worlds, and I am sorry to say, at least in this, you can’t have your cake and eat it too. I also don’t believe that this could be a conscious thought pattern, it’s just too ridiculous, but if it is, then there is really something wrong with our world. It kind of reminds me of an open air street fair that I had a booth in a few years ago. People were more than willing to shell out $15-$20 for non permanent tattoos, but not for a hand made mug that would last way longer than the tattoo they paid too much money for. My booth was right beside the tattoo tent, so I was a wee bit bitter by the end of the day. I guess a mug was just too cumbersome to carry around while drinking beer and getting a fake crappy tattoo.

Perhaps I get too wrapped up in the beauty of a well made object and tend to expect the same of everyone else. I mean, what is better than a handle on a mug that was lovingly attached in such a way that it looks and feels as if it was designed for your hand to hold, and not 3 billion other hands as well? (this is what I was doing on Saturday – lovingly attaching curvaceous and uplifting handles, back filling the attachment points to give visual balance to the overall piece, wiping away the drool …).

So back to my point, if there even really was one. I think we need to slow down, expect that something of quality will take time, not be in such a rush and accepting mediocrity as the price for immediacy.

Sanity seriously in question now

This is the last one for now...

And another one before bed...

I must be crazy...

One before bed

I applied a black slip tonight and then spent the evening after I got home shellacking the pattern and dotting the dots then wiped back the slip to reveal the white clay underneath. Now to bed to dream of dots and swirls.

Sunday's pots on Monday

So I'm a wee bit late posting these, but this is a little bit of what I was up to on Sunday. Well, Ok, so I did not make all of this on Sunday, but I touched them all. I refined the feet on the squared off plates, wiped off the shellacked mugs and the tea bowls, threw 10 tall mugs and 4 porcelain bowls (trimmed them too after a few minutes in the sun to dry a bit), and and refined the lid to the casserole. 

I will handle the mugs tomorrow, uncover the rest of the wet work to air dry and terra sig and shellac the 3 square plates. not a bad day. I probably could have done more, but I have been suffering a bit from "potter's elbow" and arthritic thumbs and fingers, so I took it a bit easy on the grunt work. 

I am starting to use more of the terra sig slips on the bas relief pots. I have added in a bit of Mason Stain 6600 black and ceramic rutile powder in one and just the rutile in another, and then apply them to the pot when bone dry. As soon as the sig is dry, I shellac the pattern on. This gives me colour on the very first layer and a white ground colour which I then go over again, wipe off again (but not too much). This process is still evolving in my mind and am thinking along the lines of octopi and other life forms that have a curly cue nature like tentacles, and tendrils etc...

Does anybody read this, or are you all Spam Bots?

I am always a wee bit curious about how people are driven to this little blog, where nothing of significance is discussed (like geopolitics, economics, war etc). I actually think that most of what I write about is really only interresting to me (I could be wrong). Anyway, back to the stats. Blogger tracks the referring links, referring URLs and the search keywords used to get here. I know my mother links to my blog on her blog, so that explains that. I am listed as an artist on the Centennial Gallery blog, so that explains that. But everything else is still an unknown as to where the traffic came from. The only thing I can think of are spam bots and other mysterious internet robots. I do get a kick out of the fact that people other than myself are googling me and my alter ego the cracked potter. What is weird, is that one of the referring sites is an "alternative social media site" that I do not belong to. I barely use FB. So it is a bit weird to see that my FB presence generates nothing, but other social media that I don't know anything about is generating traffic. The other weird one is a URL fingerprint site, that uncovers "hidden relations", whatever that is supposed to mean. Other people who are more techie than me will just shake their head and roll their eyes at my www naivete.

Anyway, 'nuf said about that. It now less than 42 hours before the sale on Saturday and no, I wont have any really, really, really fresh pots in it, just the month old ones. I thought Dave was going to load the kiln with my stuff that needed to be refired and fit student work in amongst it, and he thought I was, so in the end, he just loaded the student stuff and fired it. So look for the, brand new, fresh as a daisy pots on Etsy in about a week, once I recover from this last sale. I am pretty sure there are going to be some gooders in that batch.

Additional thought:

I have noticed again and again that people keep landing on the post "Late Onset ADD?". I was just trying to be funny, but people also seem to be searching these very words as well, so is late onset ADD a problem that I am not aware of? Do I really have it? Probably not, I can focus really well when the big comfy chair grabs a hold of me and the television is showing something I really like.

Dodging Murphy's curve ball

It might just work out in the end, but its gonna be tight (just like OJ's glove). The kiln is getting a new element today (fingers crossed) and then my stuff will be re-fired tonight. So Friday I will be unloading that kiln, then pricing and cataloguing everything else. it's gonna be a long Friday night.


I must say that even though everything was just a tad bit under fired, the glazes looked OK. I still want to refire though, the feet felt a little dry and the glazes were not 100%. The gloss liner glaze was satin, the translucent brown had a purple/bluish haze with little depth, the black and rutile slip on my bas relief stuff did not develop as nicely as it has in the past (begins to react with the glaze and forms a milky opalescence where the glaze pools) and again, the F96 brown clay was still quite orange. I always worry with a refire that the glazes will run off the pots and stick to the shelf. They had already started to flow the first time round, and now will be subjected to a full firing again. Luckily, most of my feet are quite substantial. I love a nice fat foot. However, I have several tall jars and vases that have flat bottoms and the glaze stops quite close to the bottom. Everything should be ok, but you never know.

So, if all goes well, I will have everything priced and packed on Friday night. If I don’t sell anything, then on Sunday I will be posting a whole bunch of stuff on Etsy, so look out...

Long Weekend Shennanigans...

This past weekend was the Victoria Day long weekend. I spent Friday night and all day Saturday at the studio, as well as a split shift on Sunday (sounds a bit sweat shopish). I was at the studio from 9:30am to 1pm madly glazing, then I went open housing with a friend of mine who is thinking of buying a condo. Her rent will be going up and other life situations have brought this to a head and now she is thinking of moving, so I went to a new condo project with her and then we drove around for a bit looking and then stopped for beer and food and then I was back to the studio at 4:30 and glazed and loaded the kiln until 9:30pm. I wouldn’t normally spend so long on the glazing at one time, but I was hoping to get one more load out of the kiln before the Mad Potters sale on Saturday. I took Monday off. I slept in for the first time in a really long time, got up, didn’t shower, barely got dressed. Dealt with the ribs that were defrosting in the fridge (I cooked them up and had a mid afternoon dinner out of them). The air outside my condo was heavy with the scent of the lilac in the front yard that is just starting to blossom, and the small tree outside my patio that I don’t know the name of, but it must be a cherry of some type. The pink/white blossoms are all out and I am sure some of what I smell outside is from that.


I did not think about the pots in the kiln at all on Monday, I just vegged out. I got an e-mail this morning addressed to all studio members and the title was Kiln Stuff. Hmmm. I read on and it looks like one of the elements went again. As this is not my kiln, I can’t really comment on how it is maintained, but when the elements start to go, it would probably behoove you to change them all out at the same time. Not so here. In an attempt to not have to buy all the new elements at once, they are being replaced as they die, which has been about 1-2 firings in between every replacement. I think so far 3 of the 6 elements have been replaced, so this would now be the 4th that needs changing.

This is of course interfering with getting ready for the sale. I had a few things in this firing that I really wanted to put out on Saturday. Maybe it will get fixed today and then no worries, but then again, maybe it will get fixed on Thursday, which would mean very hot pots on Friday. I will be in the studio tonight to teach so I can take stock of the situation and find out if it might be fixed in time for a refire on Wednesday. I had a lot of my bas relief shellacked pots in there. Approximately 14 teabowls, a tall jar with wire doodads on the lid, a test piece for Dave using some Alberta slip, a couple of large platters and other random tall stuff. I had a few glaze combos in there that I was anxious to see as well. Oh well, just another case of Murphy rearing his ugly head again.

I won't be taking these pots to CC to refire, just not enough time. I have a lot of stuff for the sale, that is not the issue, I just wanted some of these pots too.

Off to the Bronx...

I will be shipping a package to NYC (specifically the Bronx) today. It contains a cute little jar that was purchased from my Etsy shop. I must say that trying to figure out shipping costs for things before you sell them is a bit tricky. I knew from the outset that I would probably not get it right the first time and would probably end up either grossly over estimating shipping costs, or even worse, under estimating them. If I overestimate, that is fixable, as the extra can be refunded to the customer. It is the underestimating that is the real problem. Before I listed anything on Etsy, I did a quick survey of other Etsy shops selling roughly the same thing as me to try and figure out what they were charging for shipping. I also focused on those shops that were Canadian to try and get a handle on how much they were charging their US and international customers. But still, I have never shipped pottery to the US, or internationally for that matter, so the whole pricing thing was still a bit of a mystery. I have since discovered a couple of charts that are buried a couple of layers down on the Canada Post website that explain (that’s generous) how things are priced for shipping to the US. If you can keep your parcel under a certain weight (2lbs) and try and keep the dimensions of the overall package on the small side to reduce your “volumetric weight”, then you will only pay about $12.66 to ship to NYC by ground, otherwise, it jumps up to about $20. I am still not sure if my package is under the size and weight limits, but we shall see. Pottery is a tricky thing to wrap too. It’s fragile, so lots of packing materials go into ensuring it arrives in the same number of pieces it left in (usually 1). You need at least 2-3 inches around your piece to make sure there is enough room for the bubble wrap and extra padding, so your box size increases rather dramatically. At this point, I am not even considering the cost of the packing materials themselves. I went to the post office on Monday to pick up some bubble wrap, tape and brown kraft paper. That alone cost me over $11, but will wrap a few packages, so probably $2 or $3 went into the packing supplies for this one. My pot sold for $25, and shipping was charged at $14, so if by some miracle this comes in at $12.66, then I may just have guessed my shipping costs correctly, give or take a buck. If not, then this “road to riches” through pottery is going to be hard and all uphill (one can dream can’t they?).

This weekend is a long weekend (Victoria Day) and while most people take advantage of the nice weather to go camping, or go to their cabins, or whatever, I will be in the studio, as per usual. The Mad Potter’s Sale is quickly approaching, and I need to get one more load fired off before then, so I am hoping to load a bisque on Friday and then a glaze on Sunday. I have yet to price anything, or set in stone what I am taking (mandatory catalogue sheet). I hate catalogue sheets. In fact, hate is not a strong enough sentiment. I loath and detest them with a passion usually reserved for things like war & puppy kickers. For the amount of work that goes into putting them together, I don’t see the benefit. I like the way we do it at the Fairview sale. Blank sheets, price sticker goes on sheet when sold (re-written for security sake) and totaled. Catalogue sheets really mean nothing to me. For instance, if I have 10-12 bowls of similar sizes, then they will all be the same price, so when one sells, I can’t tell which one it was that sold by the catalogue sheet, unless I get really, really descriptive when writing them up, but that takes way too much time, and how many different ways can you describe a bowl in 2 inches of space? I never look back at my catalogue sheets (maybe I should), but I can usually tell, at a glace, what has sold really well, and what didn’t. It becomes very apparent when you are wrapping up your stuff at the end of the day too. The other reason I hate catalogue sheets is that I am a prolific potter for the amount of time I spend in the studio. I always take way too much stuff, and that means having to catalogue approximately 100 pieces that I know will never all sell, but I don’t want to limit my potential, so I tend to bring it all and cross my fingers.

Mad Potters...we don't bite (hard)

I will be in the Mad Potters Sale on Saturday, May 26^th this year. If you are in the Hillhurst/Sunnyside area and want to see some excellent pottery, there will be all kinds of wonderful, functional and sculptural work by local Calgary artists ranging from Cone 10 reduction stoneware to mid range porcelain fired in oxidation. So come on down to the HHSS Community Centre and check us out, we would love to see you there!

First Etsy Sale

It may have taken 3 months, but I just made my first sale through Etsy. It was for a little stoneware jar thrown all in one and then the lid is seperated from the body at the trimming stage. It will be going to the Bronx in a few days. Now I just have to find a box...

My new T's arrived in the mail yesterday....


I was not able to decide which one to get, but as it is for a good cause, I bought both of them.
I got the link for the t's from Carole Epp's blog Musing About Mud, however, I just checked and unfortunatly it looks like these limited edition t-shirts are now all gone :(

Spring Blizzard = Good Pottery Sales

I was participating in the Fairview Studios Pottery Sale this past Saturday. When I left my house at 7:00 it was sprinkling lightly, but not very cold out, so I decided against a jacket and wore runners without socks. By the time I got to the hall where the sale was being held (7:30), it had started to snow and was beginning to accumulate. I parked my car, got out, opened the hatch and immediately stepped into an ice cold puddle of melty slush (BTW, runners with mesh tops are not water proof). There were not many customers waiting for the sale to start, maybe 10 or 12, but by 9:30 it was packed and people were shopping. For a spring sale, I did reasonably well. My gross sales were on par with a slow Christmas sale. I ended up having to re-sticker all my pots as the ones I had used were not coming off very well. As I was standing at my table madly redoing everything, there were a couple of women looking at some of my stuff. The words coming out of their mouth sounded like “this is just beautiful, I love it”, and then they put it back and walked away. Perhaps I misunderstood them? Maybe they were looking for the same thing, but in blue? Actually, I think they were looking for the same thing, but in “Cheaper”. I do tend to price myself out of sales, but my thoughts are that why should someone else get it for $20, when it cost a minimum of $30 in materials and time to make it. I would rather wait a little longer to make the sale than give it up for a quick buck now.
I have the Mad Potters sale in 3 weeks on May 26th, and it will be curious to see how this one goes. I have been involved with them only for 2 previous sales and so far my earnings from them have been about half of what I can do at the Fairview sale, but then I am spoiled. The Fairview Sale, which has been running for over 30 years, has all the kinks ironed out and it practically runs itself. The Fairview customers are extremely loyal and it always amazes me how much money they spend. I will give this sale one more shot, and if the numbers remain the same, I will have to reconsider if I participate in it next year or not. You never know, this could be the year that everyone wants cone 6 electric instead of cone 10 reduction. At least I am not competing with salt/soda or wood fired work


I should note that the snow did not stick around. It stopped snowing around noon, continued to sprinkle on and off for the rest of the day, and then on Sunday the temperature was ~12 degrees celcius, and today, it is forecasted to be a beautiful 19 degree day, and tomorrow is supposed to be even nicer at 23 degrees. In saying this, I am looking at the weather forecast right now, and I see snow and rain on Thursday…oh well, that is what you get for living nestled up against the foothills of the Rocky Mountains in Southern Alberta. No two days are ever quite the same and you can always count on a snowstorm in May.

Fairview Studios Annual Spring Pottery Sale

Once again the potters at Fairview Studios will be selling their wares at the Canyon Meadows Community Centre from 9am to Noon. If you are in the Calgary area tomorrow, you should come and check it out.

200th post, and the results of my last firing at the studio before the sale

So I fired off a kiln load on Sunday, and here are the results

  

Not sure about the one with the whale. I love the pot, but the whale was supposed to be a smoky blue and it turned out cobalt blue. It is hanging from a length of high temp wire that was inserted into the lid at the green stage. The whale has a loop of wire as well, and it just hangs there.

Two from the kiln

This is all I had the energy to do last night. I did not get home until after 7:00 last night, I had not eaten all day, and was pretty exhausted. So, this is what I managed to get pictures of. I will take more tomorrow. I am teaching tonight, so it will be pretty dark out and I like a little natural light. 

This little cup is aout 3" x 3.5"

And this mug is about 5.5" tall x 3.5" wide

Always open your mail…

Well, I finally got around to doing my taxes. Nothing like the night before the deadline to get it done. Reminds me of how I used to do things in University. Always put off doing it today, ‘cause you can always do it tomorrow…plus, "I work better under pressure".


While doing my taxes, I learned a “valuable” lesson. Always open your mail as soon as you get it. I had been stockpiling all of my tax info in one pile (that's pretty good for me), and it was waiting for me when I began doing my taxes last night. There were a few envelopes in the stack that had not been opened, but I knew what they were (I thought). They were T4’s (income statements), RRSP statements etc. I opened one up, and low and behold, it was a cheque for $2200 that I had been waiting for. It was the share payout from the last place I worked at. I wasn’t at the point of worrying about it yet, as I know that things can be slow when it comes to actually paying someone money. I guess I must not have seen it in the pile, but it just goes to show you, open all your mail, even if you think it is a bill, or something else equally horrible, it might just be a nice surprise. So, I have to pay the MAN $500+ more in taxes, but in the end, I am a bit further ahead than I was yesterday. I must have stockpiled some good Karma somewhere along the way.

I am off to post my pound of flesh to the tax man after work, and then to unload the kiln at Ceramics Canada. I had a peek at it yesterday when I opened it up, and everything looks just right. It was just a little warm and I didn’t have any gloves handy to unload yesterday, so today I can take some pots home to actually price before the sale on Saturday. Hopefully my stockpile of good Karma helped with this firing. I hate it when the top shelf just teases you and the further down you go the less happy you get…

I WILL take pictures tonight. I always forget to take pics of pots before a sale, but I will tonight, I promise...

Murphy Sucks!

I mentioned in my last post that I would have some pictures of my latest firing. I need to retract that statement. In fact, what I should have said was that I am firing and if the kiln manages to fire properly, I will take pictures. I guess one of the elements shuffled off it’s mortal coil during my glaze firing on Sunday night. We thought all was well when we replaced a burned out element, a week or so ago, but lurking in the back ground was another element waiting to screw up a firing. This would not normally bother me too much, but the sale is only 9 days away, and now the student work will back up again. The kiln actually got to about cone 5, maybe 5.5, so everything looks ok from a distance, but when you actually get up close, you can see that most everything is under fired. The gloss glazes are very satin, the red bodies are too orange when they should be a dark nutty brown and the porcelain just looks dry & not quite vitrified. To remedy this situation, I am going to pack the lot up on Friday and load as much as I can into the slightly smaller kiln at Ceramics Canada and fire it off over the weekend. Then I will spend all day Sunday glazing the last few things I have not had a chance to get to, just in case I am able to load a kiln on Tuesday night (you never know). If not, then this is it, that’s all I can do. I always seem to think that I don’t have enough for a sale, when in fact, I always have too much. Kinda like when you are a kid, and you are confronted with a salad bar. You always load your plate up with more than you should, or that your stomach can hold, and you haven’t even had dinner yet. I recall once when my sister and I were little, my parents took us to Disney Land and we were in a restaurant with a very large salad bar. This salad bar was different than the ones we were used to though. It was kinda like a salad / dessert bar. My sister came back to the table with (no joke) a plate full of whipped cream instead of salad.
This sale does not require much in the way of prep, but I will need to price everything, so the night before the sale, I will be madly stickering, as usual.

The solitary potterer

This post has been percolating in my brainpan for the last week or so. I was not even sure I would post it for fear that I would offend someone (how introvertedly sensitive of me, and I am not really sure who I would actually offend now that I think about it), but then I said, who cares anyway? Just post it for crying out loud. So here it is.

Recently I have been bumping into a topic of conversation in both the media and now in the blog world. It began one day while listening to the CBC. I caught an interview with Eric Klinenberg about his new book “Going Solo – The Extraordinary Rise and Surprising Appeal of Living Alone”. Then, again listening to CBC on Sunday afternoon, I was half listening to a radio program that normally deals with the “spiritual”, and as nobody could ever confuse me with being that…my brain was definitely not on full attention mode, so I did not catch the name of the guest, but the topic was on introverts. My ears perked a little at that and I discovered that we introverts are a little more sensitive to their environment and what is going on around them than extroverts. Moving forward, I was watching HBO a week or so ago and happened to catch Bill Maher and it turns out that one of his guests was Eric Klinenberg. Yesterday I was reading Carter Gillies’ blog on the “loneliness of the long distance potter” and was using Susan Cain and her blog and book “Quiet” as his inspiration for his discussion on introverts. Turns out Susan Cain was the one being interviewed on that half listened to CBC show.

Anyway, it is just strange how all of a sudden, I am hearing about why it is OK to live the way I live, and that it is OK to be the way I am. Not to say that I was looking for validation, I mean, I am not that weird (am I?).

To the point about being introverted, I want to clarify. I am not shy (contrary to my parent’s belief, but then they still think I am 12). I was always labeled as shy, and perhaps I was as a kid (more than likely just introverted), but I am now an adult, and seem to function pretty well in society. I graduated from Uni, I have a job, I teach pottery, I own my home, I lease my car, and I have friends with whom I enjoy hanging out with. I am just not good at small talk, and that can come across as either shy, or perhaps rude, but it’s not, I am just not good at filling up the void with mindless babble (this blog doesn’t count, ‘cause I am fairly sure that nobody is actually reading it). If I have something important or meaningful to say, I will say it, you can sure bet your bippy on that one (what is a bippy?). But I will make sure it is said in a way so as not to insult or hurt anyone’s feelings.

Having a contemplative nature and being comfortable with being alone (not lonely) are perfect attributes for working in a studio. I am in a bit of a different situation from many other potters in that the studio I work out of is not my own, it is where I teach. So, there are usually a few people there at any given time of the day. I have a key and can come and go 24 hours of the day, so if it was really a problem, I could throw pots at 2 in the morning if I wanted to (ya right, I also like to sleep, I even have an app for that). I have found that I no longer sleep in on the weekends though. I will get up at 7:30 some Sundays just so that I can get to the studio well before anyone else would ever be there (except for Ellen, she seems to always beat me). I enjoy putting the radio on, or my ipod in the dock and just focusing on the throwing, glazing, or whatever. I will usually get a call from my mum while I am up to my armpits in clay, and she will ask “where are you?” and although it makes perfect sense to me, I always feel a bit weird when I tell her that I am at the studio, because it is the only answer I usually have to that question. Non potters don’t get it, and non potter extroverts really don’t get it.

Now that I got that off my chest so to speak...
Time is ticking by rather quickly. There are only 12 days left until the spring sale on May 5th (YIKES) and I may very well be unloading hot pots the night before (nothing new there). I just finished glazing and loading yesterday, but I have at least 1 or two more firings to get through before everything that has been kicking around gets fired. I am still working with the shellac to create bas relief texture on a lot of my pots.I am worried about sacrificing them to the glazing process, but they are in the kiln cooling right now, so there ain't no going back now. There are very few glazes that I trust to yield acceptable results. Unfortunately, most of those are commercial glazes. I would really love to find that perfect glaze recipe that breaks really nicely, allows the texture to be seen and yet be interesting all on it’s own as well. We have a clear glaze at the studio that is nice, but tends towards yellow (I have nick named it cat pee clear). We also have a very nice celadon, but on certain bodies, it will craze like crazy (no pun intended), so I don’t want to risk that on these highly textured pots as the crazing will obscure the delicate patterns. I think for now I will stick to the “Amber Topaz” and “Rootbeer” glazes from Mayco. They seem to be the most translucent glazes of the bunch that I have access to. I will probably do a clear interior on the porcelain pots so as not to neutralize any translucency in the body.

Perhaps I should explain why I say “unfortunately” in the same sentence as “commercial”. I am mostly referring to the fact that unless I shell out for the powdered form, I will have to paint on 2-3 coats of glaze, and I hate that. I have a whole pile of glazes in pint form, but only because they were given to me, not because I bought them. The other, and really more important reason why I am not too fond of commercial glazes is that I don’t really know what is in the glaze (although I could make a pretty good educated guess). If they ever discontinue the colour, I would have to run through a ton of testing to find a version I could make myself. The same could be said for raw glaze materials disappearing too I guess. We have recently run into a situation where an ingredient (spodumene) was no longer available from the regular producer as they had stopped manufacturing/mining it. Another supplier was located, but it is coming from much further away (Australia vs. Manitoba). Obviously the transportation costs will greatly affect the price of this ingredient, so we are now forced to look for a new glaze that uses more local ingredients. The second most recent ingredient change was with Cornish or Cornwall stone. We have not had REAL Cornish stone for a very long time. It was substituted with a variant that worked pretty well as far as I can tell. However, recently the substitute was substituted with another replacement that not only looks very different in it’s raw state, but has totally changed the characteristics of the glaze that we use it in the most. The change in glaze characteristics actually was not a disaster, it looks and feels very nice (I actually like it more now), it just does not have the same properties when overlapped with other glazes that it used to.

As Scott Cooper over at http://stearthpottery.com/this-week-at-st-earth says, if you make the clackity clack sound on the keyboard long enough....

My fingers are itching to unload that kiln, so pictures tomorrow(ish)....

House finch

What the heck have I been up to lately? Well, let me tell you (since you are already here, and this is a very one sided conversation). On April 5th (the day before Good Friday and all the Bunny related festivities), I went and bought myself a brand spanking new camera. My old one was purchased in 2005 or 2006, I can’t remember exactly. In the world of electronic gadgetry, that is pretty ancient. At the time, it was $469, and was a very good point and shoot that offered a little bit more control of the aperture and shutter speeds, but was not a DSLR. At the time, I think the cheapest DSLR was at least $1500. I picked up a Nikon D3100 with a 2 lens kit (18-55mm & 55-200mm) for $769.99. This of course did not include the memory card, so I had to lay down another $50 for 16 GB of memory. I have not taken it out for any prolonged photography sessions, but I have used it in the studio to film a few videos and take a few pot shots. I also took the picture above of the little house finch singing away in the trees on the golf course behind my parent’s house. On the studio/clay front, I have been a little lax in getting things glazed and now there are only 25 days left before the spring sale. Why do I do this to myself? I should know better. This wouldn’t normally be an issue, but because I work in a communal/recreational setting, where student work is always fired on a first priority basis, I do find that I only have weekends to glaze my work and fire it. I can usually do it, and it only requires that I pull a longer than usual shift at the studio on Friday night to get all the pots glazed and loaded in order for the kiln to be cool enough to unload by Sunday. However, there is a glitch this time. There was a load of student work being fired on Thursday night, and when I came in on Friday morning the kiln started beeping and flashing E-1. This error indicates that the temperature is rising too slow in 1 or more zones. In all his wisdom, Dave thought he might give it another go and fired it off again on Friday night, well, surprise surprise, it happened again. So, he changed the thermocouple, as he had one laying around. He was not sure if that was the problem, but when he took it out, the ceramic casing was cracked, and it looked like the probe itself had started to degrade/melt. 3rd times the charm right? Nope, it still did not fire properly. Next step is to change the elements, but if that does not work, then it is probably a relay. Regardless of what the issue is, it has put the firing of student work back by at least 2 weeks, which has put my ability to fire anything back by at least 2 weeks plus however long it takes to clear the backlog up. I do have a last ditch solution, but it will require a bit of effort. Ceramics Canada has a kiln, which I never use, ‘cause it requires that I pack my work up and drive it over there. There are a lot of speed bumps and stupid drivers between the studio and CC. I may try and take a load over there this weekend though if I can manage it. I have also had some results from my shellac and hydro abrasion “tests”. I originally subjected 6 or so mugs, 3 bowls and a vase to the process and so far have had some OK results. I have yet to bisque the vase, but the rest of the first batch have been fired to completion. Two of the bowls were glazed in a translucent amber, and they are pretty good. I mucked the 3rd bowl up by using a glaze that did not allow the detail to come through very much, but I knew it was an experiment, and the bowl was not a stunner anyway. The mugs all had a blue slip on them, that I wanted to come through, so I applied some terra sig based slips to the green mugs, hoping it would reveal the texture a little more and then glazed them all in a clear glaze. I was relatively happy with the results, but the clear glaze did nothing for the texture. I should have used a coloured glaze that would have highlighted the texture more. The rutile slip was very subtle, but I liked it the most. It was not too stark against the white clay. The black one was good, but it showed any irregularities in application too much. I should also note that all of these pots were Laguna B-mix. Part 2 of my shellacking and time wasting involved a different body. Dove porcelain was my next step, looking for a whiter white with more translucency. I threw several medium sized bowls, a couple of mugs and some yunomis. I was still struggling with the application of the shellac in terms of getting the right amount of shellac on the pot to resist the scrubbing, as well as maintaining the clean, sharp edges. It was bleeding a little, thereby making the pattern a little less than perfect, so in response to that, I attempted a looser approach through spattering, loose brush strokes and just splashing it on. I kept on using the black slip and the rutile slips and hopefully my designs took it better, as I think I may have figured that part out. I still need to bisque these pots, and will not risk taking them to CC, as in the green stage, these pots are very fragile. I lost one of the bowls during the washing stage, so I am sure that I would loose more to the speed bumps. The next phase of learning will be using P300, a midrange Plainsman Clay porcelain body. I guess I am just looking for that perfect porcelain that is strong, but washes away easily without having to scrub too much so that the shellac gets washed away too. So far I am liking the process. It makes me think about the shapes a bit more in terms of what will showcase the texture best. I think I will stick to bowls and cups for now, as the porcelains are not cooperating with me to get nice tall vases.