Condo Status and Other More Interesting Stuff

Firstly, for all of you out there that are wondering if I will be home for Christmas, the answer is NO. The engineer report regarding the source / solution to the water that mysteriously showed up in my unit on October 17th just came in and they don't have a clue where it came from. We have theories, but nothing concrete. The next step is to recreate the water testing that occured several days prior to the water appearing in my unit. The plumber was in running water in the 3 units above me to find out why there were drastic temperature changes. It is my understanding that they had all taps open and running, toilets were being flushed etc. In the end, they found out why the temp was changing, but it is my belief, but then again I'm not a plumber so what do I know, that this led to the water leaking into my unit on the main floor. This may or may not reveal a cause, but the solution to prevent any future water issues in my unit is to dig a trench in my floor that leads to the sump pump in the mechanical room, probably several feet down, lay down a perforated drain (aka weeping tile), cover with gravel and then patch the floor and then fix my unit. This should take any excess water that collects and divert it to the sump. When? How much $$? Who knows. I just know that it wont be complete before the end of the year, so my guess is that it will take until at least February. But again, just a guess.

In other non stressful areas of my life, seeing as how I don't have a home to call my own that I can actually go to every day, I have been putting my mental energy into ruminating about the possibility of entering a large craft show for next year's Christmas shopping season. I thought about a spring show, but the deadlines are already coming up for those. I know this will be a lot of work, but I won't know if this is a good fit for me unless I at least give it a shot. So, with that in mind, I am getting a jump on it before the registration deadlines come and go. My biggest concern is that I don't have a real display for my work, I have only ever really done the Fairview pottery show and it is such a crazy show that we could probably get away with just putting it all on the floor in the middle of the room and let the customers dig through it like a discount bin in a big department store (we never would, but you get the picture). So, the hunt is on for an inexpensive and portable display solution and I think I may have found it. I located some basic pine boxes made from 1x2s with solid end panels with routered out handles. As they are unfinished, I need to find a way to fancy them up so they look presentable. Milk paint was my first thought. The big hardware stores don't carry that stuff though. There are some specialty wood working and ECO stores in town that do, but I don't want to buy the quantity they sell it in. I just found a Canadian manufacturer that sells test size amounts that would in fact cover a couple of these boxes, so with the thought that I would be getting at least 6 pine boxes (I picked up 2 last night) I bought 6 different colours in the test quantity and they should arrive in about 5 days. I will use bees wax to help distress and then use a couple of colours on each box to give a weathered / antique appearance. I will then use the crates to create a shelving system of sorts by just stacking them like bricks in various combinations of height and spacing. Now I just need to make, make, make and hope I get accepted into one of these shows so I don't get stuck with too much inventory.

Now for the pictures, I always like a post with pictures. These are some of the things I have been working on over the last week.

This little diorama is a riff on the black and white sgraffito pots with the houses and trees. I plan to incise some detail into this super translucent porcelain in the hopes that I can figure out a way to illuminate the houses from inside (small battery operated tea lights maybe?) I also might add a little bridge and it needs some bushes etc...

I am also playing around with some bottles that would appeal to the scotch, bourbon, whiskey connoisseur, again thinking about possible show stock for next year. Good grief, we have not even had Christmas this year and I am already looking forward 12 months.

Texture

A few weeks ago I demonstrated how to achieve a highly textured surface on a thrown pot using slip with sodium silicate. When the sodium silicate is "dry" and you begin to expand the cylinder, you get a crackled surface. I had added red iron oxide to achieve a more dramatic contrast for demonstration purposes. The end result were about 3 very fat forms with some excellent texture. Anyway, after the bisque, I rubbed in some Barnard slip, and then a thin wash of iron oxide and a further wash of a rutile/Gerstley Borate/Neph Sey mixture. The trick was then "how to glaze neatly" without obscuring the texture. On 2 of them I brushed on a thick layer of liquid latex on the untextured areas, let it dry a bit and then brushed on a wax emulsion over the textured areas. Once the latex was removed, I was able to glaze those areas fairly cleanly. I decided to see if the latex would work directly on the textured areas instead and brushed a very thick coat all over where I did not want the glaze. I was worried that it would stick in the copious nooks and crannies, so I let it dry for several days. I removed it last night, after dipping the whole thing in some glaze and it came off beautifully. So beautifully in fact that I kept the rubber ring that came off in one complete sheet. The texture it picked up was amazing, now I just have to find a way to use it in future work. As I am forgetful, I don't have an image of the textured latex, but these are a couple of the bottles before the oxide baths I gave them....

All the little plates

These are all the little square plates I have been making and experimenting with the shellac resist and terra sig. There were a few fuggly ones in there, but a few really nice ones too.

Here are 6 that I really like:

Has a Tim Burton vibe I think

Love it

Love it

The octopus plate was sold pretty much the second it came out of the kiln, so this is probably the only pic I will have of it. I will have to do more mollusks....

Here are a few other things that I have had on the go for a while and are now ready for the bisque:

I was going a bit dotty by the end of this one

same with this one...

I was working on this bowl while listening to a CBC show that was talking about Glen Gould. While I was shellacking the pattern, they were playing one of his quicker pieces and I think I was flying along with Gould at the same time. The person doing the show said he thought that Gould had "left the stratosphere".

Fancy Legs

The women in my immediate family (my mum, sister and myself) suffer from what my mum has always termed “antsy legs”. The pharmaceutical industry has now termed it “restless leg syndrome”. I guess to be able to charge money for a new drug. Anyway, for a while now, we have been calling this irritating problem “fancy legs”. My sister was talking about her antsy leg to a friend, who had no idea what she was talking about and misunderstood and thought she was saying that she had “fancy legs”. So there ya go.

Long story short, I was unable to get to sleep for a while last night due to this problem. I also love to self diagnose myself via the internet. I have had localized muscle pain in my left buttock, and I think it is Piniformis Syndrom. The piniformis muscle is rubbing against the sciatic nerve due to pelvic torsion caused by a car accident 10 years ago. I think this is also exacerbating the fancy leg problem. I went to the massage therapist a couple of weeks ago and she worked a miracle (albeit only temporary). However, that night, the fancy leg was quite extreme, so me thinks they are linked.   On the clay front, the kilns are now working again. The electrician was in to diagnose/fix them on Monday. They both had some relay issues. So tonight, I guess I will be loading what did not fire properly last week. I have some more plates to terra sig, and 2 very large bottles that I have already terra sig'd and now need shellacking. The new batch of sig is very good. I am getting a very high gloss on it after burnishing. The last batch seemed to haze up and never really got very shiny. It almost makes me want to pit fire them...

i think i pulled something...

And it wasn’t a handle. Everything aches from the base of my skull to the tip of my tail bone. I was at my Jazzercise class last night, and I must not have stretched well enough. Oh well, I took a couple vitamin I’s (Ibuprophin), and that should work the kinks out. I am teaching tonight, so the kinks better be gone. I think I will demo bottles tonight. Someone at the studio has given an assignment to himself, and it is to make a tall, very bulbous narrow necked bottle (almost closed in). So, thought I would see if I could impart any gems for him tonight to set him on the right path. I think, and this is just my personal opinion, but I think the bottle is the toughest shape to make.

I worked on some bottles over the weekend to get me warmed up, as I never make them very often (not big sellers) and I needed to refresh my muscle memory. I will see if I can remember to take some pics tonight.

Next week I will be teaching every night (Mon-Thurs) for 2 weeks. Dave is driving down to Kansas to visit him family etc and I will be holding down the fort for him. I have done this before, but usually only a week at a time. Two weeks might just kill me. I have offered to fire the kilns for him while he is gone. He didn't want me to have to do this, as he doesn't pay me to do that, but really, I am going to be there anyway, so I may as well do it, especially since there is a student sale coming up on November 13th, and I know that most people will want to get some last minute stuff finished. I will also have some pots to fire, so I may as well load the other students work as well