Does anybody read this, or are you all Spam Bots?

I am always a wee bit curious about how people are driven to this little blog, where nothing of significance is discussed (like geopolitics, economics, war etc). I actually think that most of what I write about is really only interresting to me (I could be wrong). Anyway, back to the stats. Blogger tracks the referring links, referring URLs and the search keywords used to get here. I know my mother links to my blog on her blog, so that explains that. I am listed as an artist on the Centennial Gallery blog, so that explains that. But everything else is still an unknown as to where the traffic came from. The only thing I can think of are spam bots and other mysterious internet robots. I do get a kick out of the fact that people other than myself are googling me and my alter ego the cracked potter. What is weird, is that one of the referring sites is an "alternative social media site" that I do not belong to. I barely use FB. So it is a bit weird to see that my FB presence generates nothing, but other social media that I don't know anything about is generating traffic. The other weird one is a URL fingerprint site, that uncovers "hidden relations", whatever that is supposed to mean. Other people who are more techie than me will just shake their head and roll their eyes at my www naivete.

Anyway, 'nuf said about that. It now less than 42 hours before the sale on Saturday and no, I wont have any really, really, really fresh pots in it, just the month old ones. I thought Dave was going to load the kiln with my stuff that needed to be refired and fit student work in amongst it, and he thought I was, so in the end, he just loaded the student stuff and fired it. So look for the, brand new, fresh as a daisy pots on Etsy in about a week, once I recover from this last sale. I am pretty sure there are going to be some gooders in that batch.

Additional thought:

I have noticed again and again that people keep landing on the post "Late Onset ADD?". I was just trying to be funny, but people also seem to be searching these very words as well, so is late onset ADD a problem that I am not aware of? Do I really have it? Probably not, I can focus really well when the big comfy chair grabs a hold of me and the television is showing something I really like.

Dodging Murphy's curve ball

It might just work out in the end, but its gonna be tight (just like OJ's glove). The kiln is getting a new element today (fingers crossed) and then my stuff will be re-fired tonight. So Friday I will be unloading that kiln, then pricing and cataloguing everything else. it's gonna be a long Friday night.


I must say that even though everything was just a tad bit under fired, the glazes looked OK. I still want to refire though, the feet felt a little dry and the glazes were not 100%. The gloss liner glaze was satin, the translucent brown had a purple/bluish haze with little depth, the black and rutile slip on my bas relief stuff did not develop as nicely as it has in the past (begins to react with the glaze and forms a milky opalescence where the glaze pools) and again, the F96 brown clay was still quite orange. I always worry with a refire that the glazes will run off the pots and stick to the shelf. They had already started to flow the first time round, and now will be subjected to a full firing again. Luckily, most of my feet are quite substantial. I love a nice fat foot. However, I have several tall jars and vases that have flat bottoms and the glaze stops quite close to the bottom. Everything should be ok, but you never know.

So, if all goes well, I will have everything priced and packed on Friday night. If I don’t sell anything, then on Sunday I will be posting a whole bunch of stuff on Etsy, so look out...

Long Weekend Shennanigans...

This past weekend was the Victoria Day long weekend. I spent Friday night and all day Saturday at the studio, as well as a split shift on Sunday (sounds a bit sweat shopish). I was at the studio from 9:30am to 1pm madly glazing, then I went open housing with a friend of mine who is thinking of buying a condo. Her rent will be going up and other life situations have brought this to a head and now she is thinking of moving, so I went to a new condo project with her and then we drove around for a bit looking and then stopped for beer and food and then I was back to the studio at 4:30 and glazed and loaded the kiln until 9:30pm. I wouldn’t normally spend so long on the glazing at one time, but I was hoping to get one more load out of the kiln before the Mad Potters sale on Saturday. I took Monday off. I slept in for the first time in a really long time, got up, didn’t shower, barely got dressed. Dealt with the ribs that were defrosting in the fridge (I cooked them up and had a mid afternoon dinner out of them). The air outside my condo was heavy with the scent of the lilac in the front yard that is just starting to blossom, and the small tree outside my patio that I don’t know the name of, but it must be a cherry of some type. The pink/white blossoms are all out and I am sure some of what I smell outside is from that.


I did not think about the pots in the kiln at all on Monday, I just vegged out. I got an e-mail this morning addressed to all studio members and the title was Kiln Stuff. Hmmm. I read on and it looks like one of the elements went again. As this is not my kiln, I can’t really comment on how it is maintained, but when the elements start to go, it would probably behoove you to change them all out at the same time. Not so here. In an attempt to not have to buy all the new elements at once, they are being replaced as they die, which has been about 1-2 firings in between every replacement. I think so far 3 of the 6 elements have been replaced, so this would now be the 4th that needs changing.

This is of course interfering with getting ready for the sale. I had a few things in this firing that I really wanted to put out on Saturday. Maybe it will get fixed today and then no worries, but then again, maybe it will get fixed on Thursday, which would mean very hot pots on Friday. I will be in the studio tonight to teach so I can take stock of the situation and find out if it might be fixed in time for a refire on Wednesday. I had a lot of my bas relief shellacked pots in there. Approximately 14 teabowls, a tall jar with wire doodads on the lid, a test piece for Dave using some Alberta slip, a couple of large platters and other random tall stuff. I had a few glaze combos in there that I was anxious to see as well. Oh well, just another case of Murphy rearing his ugly head again.

I won't be taking these pots to CC to refire, just not enough time. I have a lot of stuff for the sale, that is not the issue, I just wanted some of these pots too.

Off to the Bronx...

I will be shipping a package to NYC (specifically the Bronx) today. It contains a cute little jar that was purchased from my Etsy shop. I must say that trying to figure out shipping costs for things before you sell them is a bit tricky. I knew from the outset that I would probably not get it right the first time and would probably end up either grossly over estimating shipping costs, or even worse, under estimating them. If I overestimate, that is fixable, as the extra can be refunded to the customer. It is the underestimating that is the real problem. Before I listed anything on Etsy, I did a quick survey of other Etsy shops selling roughly the same thing as me to try and figure out what they were charging for shipping. I also focused on those shops that were Canadian to try and get a handle on how much they were charging their US and international customers. But still, I have never shipped pottery to the US, or internationally for that matter, so the whole pricing thing was still a bit of a mystery. I have since discovered a couple of charts that are buried a couple of layers down on the Canada Post website that explain (that’s generous) how things are priced for shipping to the US. If you can keep your parcel under a certain weight (2lbs) and try and keep the dimensions of the overall package on the small side to reduce your “volumetric weight”, then you will only pay about $12.66 to ship to NYC by ground, otherwise, it jumps up to about $20. I am still not sure if my package is under the size and weight limits, but we shall see. Pottery is a tricky thing to wrap too. It’s fragile, so lots of packing materials go into ensuring it arrives in the same number of pieces it left in (usually 1). You need at least 2-3 inches around your piece to make sure there is enough room for the bubble wrap and extra padding, so your box size increases rather dramatically. At this point, I am not even considering the cost of the packing materials themselves. I went to the post office on Monday to pick up some bubble wrap, tape and brown kraft paper. That alone cost me over $11, but will wrap a few packages, so probably $2 or $3 went into the packing supplies for this one. My pot sold for $25, and shipping was charged at $14, so if by some miracle this comes in at $12.66, then I may just have guessed my shipping costs correctly, give or take a buck. If not, then this “road to riches” through pottery is going to be hard and all uphill (one can dream can’t they?).

This weekend is a long weekend (Victoria Day) and while most people take advantage of the nice weather to go camping, or go to their cabins, or whatever, I will be in the studio, as per usual. The Mad Potter’s Sale is quickly approaching, and I need to get one more load fired off before then, so I am hoping to load a bisque on Friday and then a glaze on Sunday. I have yet to price anything, or set in stone what I am taking (mandatory catalogue sheet). I hate catalogue sheets. In fact, hate is not a strong enough sentiment. I loath and detest them with a passion usually reserved for things like war & puppy kickers. For the amount of work that goes into putting them together, I don’t see the benefit. I like the way we do it at the Fairview sale. Blank sheets, price sticker goes on sheet when sold (re-written for security sake) and totaled. Catalogue sheets really mean nothing to me. For instance, if I have 10-12 bowls of similar sizes, then they will all be the same price, so when one sells, I can’t tell which one it was that sold by the catalogue sheet, unless I get really, really descriptive when writing them up, but that takes way too much time, and how many different ways can you describe a bowl in 2 inches of space? I never look back at my catalogue sheets (maybe I should), but I can usually tell, at a glace, what has sold really well, and what didn’t. It becomes very apparent when you are wrapping up your stuff at the end of the day too. The other reason I hate catalogue sheets is that I am a prolific potter for the amount of time I spend in the studio. I always take way too much stuff, and that means having to catalogue approximately 100 pieces that I know will never all sell, but I don’t want to limit my potential, so I tend to bring it all and cross my fingers.

Mad Potters...we don't bite (hard)

I will be in the Mad Potters Sale on Saturday, May 26^th this year. If you are in the Hillhurst/Sunnyside area and want to see some excellent pottery, there will be all kinds of wonderful, functional and sculptural work by local Calgary artists ranging from Cone 10 reduction stoneware to mid range porcelain fired in oxidation. So come on down to the HHSS Community Centre and check us out, we would love to see you there!

First Etsy Sale

It may have taken 3 months, but I just made my first sale through Etsy. It was for a little stoneware jar thrown all in one and then the lid is seperated from the body at the trimming stage. It will be going to the Bronx in a few days. Now I just have to find a box...

My new T's arrived in the mail yesterday....


I was not able to decide which one to get, but as it is for a good cause, I bought both of them.
I got the link for the t's from Carole Epp's blog Musing About Mud, however, I just checked and unfortunatly it looks like these limited edition t-shirts are now all gone :(

Spring Blizzard = Good Pottery Sales

I was participating in the Fairview Studios Pottery Sale this past Saturday. When I left my house at 7:00 it was sprinkling lightly, but not very cold out, so I decided against a jacket and wore runners without socks. By the time I got to the hall where the sale was being held (7:30), it had started to snow and was beginning to accumulate. I parked my car, got out, opened the hatch and immediately stepped into an ice cold puddle of melty slush (BTW, runners with mesh tops are not water proof). There were not many customers waiting for the sale to start, maybe 10 or 12, but by 9:30 it was packed and people were shopping. For a spring sale, I did reasonably well. My gross sales were on par with a slow Christmas sale. I ended up having to re-sticker all my pots as the ones I had used were not coming off very well. As I was standing at my table madly redoing everything, there were a couple of women looking at some of my stuff. The words coming out of their mouth sounded like “this is just beautiful, I love it”, and then they put it back and walked away. Perhaps I misunderstood them? Maybe they were looking for the same thing, but in blue? Actually, I think they were looking for the same thing, but in “Cheaper”. I do tend to price myself out of sales, but my thoughts are that why should someone else get it for $20, when it cost a minimum of $30 in materials and time to make it. I would rather wait a little longer to make the sale than give it up for a quick buck now.
I have the Mad Potters sale in 3 weeks on May 26th, and it will be curious to see how this one goes. I have been involved with them only for 2 previous sales and so far my earnings from them have been about half of what I can do at the Fairview sale, but then I am spoiled. The Fairview Sale, which has been running for over 30 years, has all the kinks ironed out and it practically runs itself. The Fairview customers are extremely loyal and it always amazes me how much money they spend. I will give this sale one more shot, and if the numbers remain the same, I will have to reconsider if I participate in it next year or not. You never know, this could be the year that everyone wants cone 6 electric instead of cone 10 reduction. At least I am not competing with salt/soda or wood fired work


I should note that the snow did not stick around. It stopped snowing around noon, continued to sprinkle on and off for the rest of the day, and then on Sunday the temperature was ~12 degrees celcius, and today, it is forecasted to be a beautiful 19 degree day, and tomorrow is supposed to be even nicer at 23 degrees. In saying this, I am looking at the weather forecast right now, and I see snow and rain on Thursday…oh well, that is what you get for living nestled up against the foothills of the Rocky Mountains in Southern Alberta. No two days are ever quite the same and you can always count on a snowstorm in May.

Fairview Studios Annual Spring Pottery Sale

Once again the potters at Fairview Studios will be selling their wares at the Canyon Meadows Community Centre from 9am to Noon. If you are in the Calgary area tomorrow, you should come and check it out.

200th post, and the results of my last firing at the studio before the sale

So I fired off a kiln load on Sunday, and here are the results

  

Not sure about the one with the whale. I love the pot, but the whale was supposed to be a smoky blue and it turned out cobalt blue. It is hanging from a length of high temp wire that was inserted into the lid at the green stage. The whale has a loop of wire as well, and it just hangs there.

Two from the kiln

This is all I had the energy to do last night. I did not get home until after 7:00 last night, I had not eaten all day, and was pretty exhausted. So, this is what I managed to get pictures of. I will take more tomorrow. I am teaching tonight, so it will be pretty dark out and I like a little natural light. 

This little cup is aout 3" x 3.5"

And this mug is about 5.5" tall x 3.5" wide

Always open your mail…

Well, I finally got around to doing my taxes. Nothing like the night before the deadline to get it done. Reminds me of how I used to do things in University. Always put off doing it today, ‘cause you can always do it tomorrow…plus, "I work better under pressure".


While doing my taxes, I learned a “valuable” lesson. Always open your mail as soon as you get it. I had been stockpiling all of my tax info in one pile (that's pretty good for me), and it was waiting for me when I began doing my taxes last night. There were a few envelopes in the stack that had not been opened, but I knew what they were (I thought). They were T4’s (income statements), RRSP statements etc. I opened one up, and low and behold, it was a cheque for $2200 that I had been waiting for. It was the share payout from the last place I worked at. I wasn’t at the point of worrying about it yet, as I know that things can be slow when it comes to actually paying someone money. I guess I must not have seen it in the pile, but it just goes to show you, open all your mail, even if you think it is a bill, or something else equally horrible, it might just be a nice surprise. So, I have to pay the MAN $500+ more in taxes, but in the end, I am a bit further ahead than I was yesterday. I must have stockpiled some good Karma somewhere along the way.

I am off to post my pound of flesh to the tax man after work, and then to unload the kiln at Ceramics Canada. I had a peek at it yesterday when I opened it up, and everything looks just right. It was just a little warm and I didn’t have any gloves handy to unload yesterday, so today I can take some pots home to actually price before the sale on Saturday. Hopefully my stockpile of good Karma helped with this firing. I hate it when the top shelf just teases you and the further down you go the less happy you get…

I WILL take pictures tonight. I always forget to take pics of pots before a sale, but I will tonight, I promise...

Murphy Sucks!

I mentioned in my last post that I would have some pictures of my latest firing. I need to retract that statement. In fact, what I should have said was that I am firing and if the kiln manages to fire properly, I will take pictures. I guess one of the elements shuffled off it’s mortal coil during my glaze firing on Sunday night. We thought all was well when we replaced a burned out element, a week or so ago, but lurking in the back ground was another element waiting to screw up a firing. This would not normally bother me too much, but the sale is only 9 days away, and now the student work will back up again. The kiln actually got to about cone 5, maybe 5.5, so everything looks ok from a distance, but when you actually get up close, you can see that most everything is under fired. The gloss glazes are very satin, the red bodies are too orange when they should be a dark nutty brown and the porcelain just looks dry & not quite vitrified. To remedy this situation, I am going to pack the lot up on Friday and load as much as I can into the slightly smaller kiln at Ceramics Canada and fire it off over the weekend. Then I will spend all day Sunday glazing the last few things I have not had a chance to get to, just in case I am able to load a kiln on Tuesday night (you never know). If not, then this is it, that’s all I can do. I always seem to think that I don’t have enough for a sale, when in fact, I always have too much. Kinda like when you are a kid, and you are confronted with a salad bar. You always load your plate up with more than you should, or that your stomach can hold, and you haven’t even had dinner yet. I recall once when my sister and I were little, my parents took us to Disney Land and we were in a restaurant with a very large salad bar. This salad bar was different than the ones we were used to though. It was kinda like a salad / dessert bar. My sister came back to the table with (no joke) a plate full of whipped cream instead of salad.
This sale does not require much in the way of prep, but I will need to price everything, so the night before the sale, I will be madly stickering, as usual.

The solitary potterer

This post has been percolating in my brainpan for the last week or so. I was not even sure I would post it for fear that I would offend someone (how introvertedly sensitive of me, and I am not really sure who I would actually offend now that I think about it), but then I said, who cares anyway? Just post it for crying out loud. So here it is.

Recently I have been bumping into a topic of conversation in both the media and now in the blog world. It began one day while listening to the CBC. I caught an interview with Eric Klinenberg about his new book “Going Solo – The Extraordinary Rise and Surprising Appeal of Living Alone”. Then, again listening to CBC on Sunday afternoon, I was half listening to a radio program that normally deals with the “spiritual”, and as nobody could ever confuse me with being that…my brain was definitely not on full attention mode, so I did not catch the name of the guest, but the topic was on introverts. My ears perked a little at that and I discovered that we introverts are a little more sensitive to their environment and what is going on around them than extroverts. Moving forward, I was watching HBO a week or so ago and happened to catch Bill Maher and it turns out that one of his guests was Eric Klinenberg. Yesterday I was reading Carter Gillies’ blog on the “loneliness of the long distance potter” and was using Susan Cain and her blog and book “Quiet” as his inspiration for his discussion on introverts. Turns out Susan Cain was the one being interviewed on that half listened to CBC show.

Anyway, it is just strange how all of a sudden, I am hearing about why it is OK to live the way I live, and that it is OK to be the way I am. Not to say that I was looking for validation, I mean, I am not that weird (am I?).

To the point about being introverted, I want to clarify. I am not shy (contrary to my parent’s belief, but then they still think I am 12). I was always labeled as shy, and perhaps I was as a kid (more than likely just introverted), but I am now an adult, and seem to function pretty well in society. I graduated from Uni, I have a job, I teach pottery, I own my home, I lease my car, and I have friends with whom I enjoy hanging out with. I am just not good at small talk, and that can come across as either shy, or perhaps rude, but it’s not, I am just not good at filling up the void with mindless babble (this blog doesn’t count, ‘cause I am fairly sure that nobody is actually reading it). If I have something important or meaningful to say, I will say it, you can sure bet your bippy on that one (what is a bippy?). But I will make sure it is said in a way so as not to insult or hurt anyone’s feelings.

Having a contemplative nature and being comfortable with being alone (not lonely) are perfect attributes for working in a studio. I am in a bit of a different situation from many other potters in that the studio I work out of is not my own, it is where I teach. So, there are usually a few people there at any given time of the day. I have a key and can come and go 24 hours of the day, so if it was really a problem, I could throw pots at 2 in the morning if I wanted to (ya right, I also like to sleep, I even have an app for that). I have found that I no longer sleep in on the weekends though. I will get up at 7:30 some Sundays just so that I can get to the studio well before anyone else would ever be there (except for Ellen, she seems to always beat me). I enjoy putting the radio on, or my ipod in the dock and just focusing on the throwing, glazing, or whatever. I will usually get a call from my mum while I am up to my armpits in clay, and she will ask “where are you?” and although it makes perfect sense to me, I always feel a bit weird when I tell her that I am at the studio, because it is the only answer I usually have to that question. Non potters don’t get it, and non potter extroverts really don’t get it.

Now that I got that off my chest so to speak...
Time is ticking by rather quickly. There are only 12 days left until the spring sale on May 5th (YIKES) and I may very well be unloading hot pots the night before (nothing new there). I just finished glazing and loading yesterday, but I have at least 1 or two more firings to get through before everything that has been kicking around gets fired. I am still working with the shellac to create bas relief texture on a lot of my pots.I am worried about sacrificing them to the glazing process, but they are in the kiln cooling right now, so there ain't no going back now. There are very few glazes that I trust to yield acceptable results. Unfortunately, most of those are commercial glazes. I would really love to find that perfect glaze recipe that breaks really nicely, allows the texture to be seen and yet be interesting all on it’s own as well. We have a clear glaze at the studio that is nice, but tends towards yellow (I have nick named it cat pee clear). We also have a very nice celadon, but on certain bodies, it will craze like crazy (no pun intended), so I don’t want to risk that on these highly textured pots as the crazing will obscure the delicate patterns. I think for now I will stick to the “Amber Topaz” and “Rootbeer” glazes from Mayco. They seem to be the most translucent glazes of the bunch that I have access to. I will probably do a clear interior on the porcelain pots so as not to neutralize any translucency in the body.

Perhaps I should explain why I say “unfortunately” in the same sentence as “commercial”. I am mostly referring to the fact that unless I shell out for the powdered form, I will have to paint on 2-3 coats of glaze, and I hate that. I have a whole pile of glazes in pint form, but only because they were given to me, not because I bought them. The other, and really more important reason why I am not too fond of commercial glazes is that I don’t really know what is in the glaze (although I could make a pretty good educated guess). If they ever discontinue the colour, I would have to run through a ton of testing to find a version I could make myself. The same could be said for raw glaze materials disappearing too I guess. We have recently run into a situation where an ingredient (spodumene) was no longer available from the regular producer as they had stopped manufacturing/mining it. Another supplier was located, but it is coming from much further away (Australia vs. Manitoba). Obviously the transportation costs will greatly affect the price of this ingredient, so we are now forced to look for a new glaze that uses more local ingredients. The second most recent ingredient change was with Cornish or Cornwall stone. We have not had REAL Cornish stone for a very long time. It was substituted with a variant that worked pretty well as far as I can tell. However, recently the substitute was substituted with another replacement that not only looks very different in it’s raw state, but has totally changed the characteristics of the glaze that we use it in the most. The change in glaze characteristics actually was not a disaster, it looks and feels very nice (I actually like it more now), it just does not have the same properties when overlapped with other glazes that it used to.

As Scott Cooper over at http://stearthpottery.com/this-week-at-st-earth says, if you make the clackity clack sound on the keyboard long enough....

My fingers are itching to unload that kiln, so pictures tomorrow(ish)....

House finch

What the heck have I been up to lately? Well, let me tell you (since you are already here, and this is a very one sided conversation). On April 5th (the day before Good Friday and all the Bunny related festivities), I went and bought myself a brand spanking new camera. My old one was purchased in 2005 or 2006, I can’t remember exactly. In the world of electronic gadgetry, that is pretty ancient. At the time, it was $469, and was a very good point and shoot that offered a little bit more control of the aperture and shutter speeds, but was not a DSLR. At the time, I think the cheapest DSLR was at least $1500. I picked up a Nikon D3100 with a 2 lens kit (18-55mm & 55-200mm) for $769.99. This of course did not include the memory card, so I had to lay down another $50 for 16 GB of memory. I have not taken it out for any prolonged photography sessions, but I have used it in the studio to film a few videos and take a few pot shots. I also took the picture above of the little house finch singing away in the trees on the golf course behind my parent’s house. On the studio/clay front, I have been a little lax in getting things glazed and now there are only 25 days left before the spring sale. Why do I do this to myself? I should know better. This wouldn’t normally be an issue, but because I work in a communal/recreational setting, where student work is always fired on a first priority basis, I do find that I only have weekends to glaze my work and fire it. I can usually do it, and it only requires that I pull a longer than usual shift at the studio on Friday night to get all the pots glazed and loaded in order for the kiln to be cool enough to unload by Sunday. However, there is a glitch this time. There was a load of student work being fired on Thursday night, and when I came in on Friday morning the kiln started beeping and flashing E-1. This error indicates that the temperature is rising too slow in 1 or more zones. In all his wisdom, Dave thought he might give it another go and fired it off again on Friday night, well, surprise surprise, it happened again. So, he changed the thermocouple, as he had one laying around. He was not sure if that was the problem, but when he took it out, the ceramic casing was cracked, and it looked like the probe itself had started to degrade/melt. 3rd times the charm right? Nope, it still did not fire properly. Next step is to change the elements, but if that does not work, then it is probably a relay. Regardless of what the issue is, it has put the firing of student work back by at least 2 weeks, which has put my ability to fire anything back by at least 2 weeks plus however long it takes to clear the backlog up. I do have a last ditch solution, but it will require a bit of effort. Ceramics Canada has a kiln, which I never use, ‘cause it requires that I pack my work up and drive it over there. There are a lot of speed bumps and stupid drivers between the studio and CC. I may try and take a load over there this weekend though if I can manage it. I have also had some results from my shellac and hydro abrasion “tests”. I originally subjected 6 or so mugs, 3 bowls and a vase to the process and so far have had some OK results. I have yet to bisque the vase, but the rest of the first batch have been fired to completion. Two of the bowls were glazed in a translucent amber, and they are pretty good. I mucked the 3rd bowl up by using a glaze that did not allow the detail to come through very much, but I knew it was an experiment, and the bowl was not a stunner anyway. The mugs all had a blue slip on them, that I wanted to come through, so I applied some terra sig based slips to the green mugs, hoping it would reveal the texture a little more and then glazed them all in a clear glaze. I was relatively happy with the results, but the clear glaze did nothing for the texture. I should have used a coloured glaze that would have highlighted the texture more. The rutile slip was very subtle, but I liked it the most. It was not too stark against the white clay. The black one was good, but it showed any irregularities in application too much. I should also note that all of these pots were Laguna B-mix. Part 2 of my shellacking and time wasting involved a different body. Dove porcelain was my next step, looking for a whiter white with more translucency. I threw several medium sized bowls, a couple of mugs and some yunomis. I was still struggling with the application of the shellac in terms of getting the right amount of shellac on the pot to resist the scrubbing, as well as maintaining the clean, sharp edges. It was bleeding a little, thereby making the pattern a little less than perfect, so in response to that, I attempted a looser approach through spattering, loose brush strokes and just splashing it on. I kept on using the black slip and the rutile slips and hopefully my designs took it better, as I think I may have figured that part out. I still need to bisque these pots, and will not risk taking them to CC, as in the green stage, these pots are very fragile. I lost one of the bowls during the washing stage, so I am sure that I would loose more to the speed bumps. The next phase of learning will be using P300, a midrange Plainsman Clay porcelain body. I guess I am just looking for that perfect porcelain that is strong, but washes away easily without having to scrub too much so that the shellac gets washed away too. So far I am liking the process. It makes me think about the shapes a bit more in terms of what will showcase the texture best. I think I will stick to bowls and cups for now, as the porcelains are not cooperating with me to get nice tall vases.

More shellacky shellackery...

They say that imitation is the sincerest form of flattery…well I sure hope so. I have been working away on my shellacking and have found out quite a few things in the process. One, don’t be so impatient. The first few pieces I shellacked, I was so anxious to find out if it actually worked I may have begun the abrasion process a wee bit early. The shellac did feel like it dried really quickly and I even went to far as to dry them with a fan for a while, but once I started wiping them down with the wet sponge, I could definitely see a loss of detail as the shellac started to dissolve away with the clay. I did get some interesting results, but not enough depth to the texture. I was acting a bit like a kid on Christmas eve who could not wait to get into all the loot under the Christmas tree. I will admit that I have some experience with this as well, but no amount of subterfuge and precision re-taping on my part could ever fool my Mum. So after some so so results I managed to curb enthusiasm and wait it out. My last, and so far the best piece to date was a plain old tall cylindrical vase that I had coated in a purple/blue slip when still wet. I let it get bone dry and then waxed on my first initial design. I let it dry for 24 hours and then began abrading. Once I got enough depth and let it dry out. I brushed on my second coat of shellac, so that the first design was completely covered, as well as a little bit on the outside of the initial design. I waited another 24 hours, came back and wiped down again. After it was dry, I brushed on the last coat of shellac. I filled in most of the unshellacked spaces, leaving only the narrowest gap between the new coat and the previous coats. This time I waited 48 hours and then abraded again, this is where I was able to get the most depth as I wasn’t as worried about the shellac wearing off. Finally, once it had dried sufficiently, I brushed on a coat of black decorating slip that I had left over from a soda/salt firing I did at Medalta last February. It is a terra sig based slip with Mason 6600 black stain and rutile. I put on 2 coats for good measure and let it dry a bit then wiped down the shellacked areas, leaving the un shellacked areas black. When it was all said and done, it did appear very similar to Jim Gottuso’s pots, albeit the brushwork is not as precise and the decoration is definitely not as well thought out as Jim’s, but for a newbie, it was not bad. I also did the slip thing to some mugs I had previously shellacked, but used various other terra sig based decorating slips that were again left over from the soda/salt firing, but had different oxides added. There was a chrome green, a blue/green and a rutile slip. None of these have been glazed fired yet, but will post some in progress pics as soon as I get a chance to take the pictures. I have been a bit sheepish in posting them, as I would never want to be accused of copying someone else’s style, but I will just have to get over it. Like I said at the beginning, imitation is the sincerest form of flattery (I hope). In lieu of my bas relief pots in progress, here are some interesting little things I picked up at the studio the other day. Dave was cleaning house and had a collection of pots that he was giving away. They had actually been given to him as the original owner couldn’t sell them, and did not want to consign them to the midden heap for future archaeologists to dig up. Warning, they are very ‘70’s, so if you are easily offended by heavily reduced, dark brown groggy stoneware clay and iron spotted buttermilk glazes, please look away now ;) This little mug was made by Connie Westrom (now Connie Pike of Pike Studios), before she met/married Bob Pike I am assuming

And this slightly bigger mug is by Ed Drahanchuk

A wee little pitcher and matching sugar bowl, maker unknown...

Have a good one

Choo Choo!

As you may or may not be aware, I have an app on my iphone that I use as my alarm clock (one of 3 alarms that I use). It uses the motion sensing ability of the phone to figure out when I am in deep, light or REM sleep and it can start to wake me up when I am in light sleep so that I don’t wake up groggy. As an added bonus, it tracks my sleep patterns and records any noises during the night. I got this app mostly for the alarm clock functions, but I knew that I talked in my sleep, so I thought it would be cool to see what I actually say. I was reviewing the recordings for Tuesday night, and there were some brief bursts of babble and half scentences, but about halfway through the night, I came up with “Ch, choo….choo, choo, choo.”. Sometimes I say the weirdest things. As usual, I don’t have any recollection of what was going on behind the eyelids that inspired the locomotive references. Perhaps I was on the Orient Express, or living out some deep seated desire to be a locomotive engineer? Who knows. I wish I could actually save these recordings to share with everyone, but this app does not have that ability. If I can figure out how to record my nightly monologues, I will post some.
On the pottery front, I went down to Cactus Arts to pick up some better brushes for this shellacking nonsense. Having never used shellac, not even to refinish furniture (I’m a water based refinisher), I did not know what kind of brush to use. I originally picked up really cheap natural bristle brushes (wrong, wrong, wrong). I have since Googled this topic and have found out that nylon brushes work best, as the denatured alcohol (a very polar solvent) will not affect the nylon bristles like a natural bristle brush. For $1.99 each, I picked up 8 brushes of various sizes and shapes and I think they may just work.

I have not used them with shellac yet and am anxious to try them out.

Wacky shellacky

Too late for words, but here are some pics of the 1st shellac attempt.

Here is one of the pots I tried out the shellac on...

I’m stuck in a sticky web of my own creation

In an attempt to make myself a little more crazy, I began the shellacking process on Sunday. As I mentioned in a not so past post, I have been drawn into the highly textural surfaces that Jim Gottuso creates on his pots. I wanted to “practice” on a few pots before I subject all of the mugs I have been working on to this process. So I took some bowls that have been kicking around and have yet to make it to bisque and began shellacking. I started the process at around 9:30 am on Sunday, and managed to get 3 bowls all finished by 3:30. 2 of them just had very random patterns that were more of a “how much can I scrub” test, and “how much detail can I get” test. The one I spent the most time on was what I was going to call my paisley pot, but after it was all said and done, it might be more of an embryo pot. I freehanded in pencil the initial paisley nuclei all over the pot and then filled them in with shellac. I was not sure how long it would take the shellac to dry/harden, and was quite surprised to find that it went from tacky to try in no time flat, but did put it in front of a fan just to be extra sure it was hard. I did find that if the shellac was not quite thick enough, it would erode with the scrubbing, so I tried to keep the scrubbing to the absolute minimum. I then repeated this process and outlined each paisley just a little bit more and then again eroded the un shellacked surface to reveal another step down. Repeated ad nauseum until it had a bit of a malachite look to it, except the central nucleus is a paisley, or in some of them, slightly embryonic…I ended up doing about 6 layers of shellac.
Previous to the shellac, I got to excited to wait to get the flakes and did a few mugs, but used the wax resist instead. It worked pretty well, but you need to use really, really, really cold water to help keep the wax from getting soft and wiping away too easily, so my hands would get really, really, really cold I could have used heavy rubber gloves, but that would have been too easy and would have required a little bit of forethought and planning.
In my impatience to get the shellacking started (I like the word shellacking), and then of course the interruption of my afternoon on Saturday by an Irish Leprechaun that required my ingesting 3 pints of Guinness, I did not get to the hardware store as planned to buy the requisite parts to fix my shower. This is however coming to a head pretty quickly. I was standing in scalding hot water and showering in relative tepid water with intermittent bursts of cold water this morning.

FFWD a couple hours...I went to Lowes and picked up what the dude said should work to replace the diverter (first mistake)
This is what he sold me

Maybe I should say that it was the second mistake. The dork that tiled the bathroom a few years ago managed to block the diverter in its hole with grout. I was able to chip it out but I had visions of having to rip out all the tile
Anyway, after I calmed down and got it out, this is what I found:

As you can see, the diverter stem is much longer than the new one. However I discovered what the real issue was anyway and luck would have it that in past plumbing adventures, I had a few spare o rings that thankfully fit the business end.

The broken o ring was actually stuffed in between the stem and the outer casing.

Looking forward to a 1st world shower tomorrow.

Ay Carumba, Oy Vey and for crying out loud!

I woke up the other day to go to work, which is in and of it’s self, usually a chore. Not only did we have to put our clocks forward for that ridiculous daylight savings nonsense (which causes me to feel so discombobulated for at least a week or 2 in the spring), but I have never ever, in all my living memory, been a morning person. I can probably count on one hand, the number of times I have woken up with vim and vigor ready to “take on the day”. Anyway, I wake up, wondering why it is so dark outside ( you turned the clock forward dummy, it is 6:00 am in your head, but it is 7:00am according to the freaks that make us change our clocks), stumble into the bathroom (I am pretty blind until I poke the contacts into my eyes), turn on the taps in my tub and pull on the shower diverter knob thingy….nothing…..yank, swear, twist, push, pull, etc. Diverter is stuck I think, how can this be….I get it pulled out far enough so that water is diverted to the shower head, but not enough to prevent water from still come out of the faucet. Whatever, I am going to be late if I fool with it, and with my luck, I’ll break the pipe. So I jump in the shower, and although the pressure is a little wonky, I manage to have a shower and get myself to work on time.
Today…similar story. I have not yet fixed the diverter as I don’t know if I can do it without a plumber and was going to wait until the weekend when I can spend more time in the bathroom. I had taken off the collar to check out the valve doohickey to see if it would be a simple or a complicated fix. Looks like a lot of mineral deposits have deposited themselves all over the stem valve

and it will probably require a lot of coaxing with various tools, none of which ar meant for this job, swearing, WDForty, Calcium Lime and Rust remover, and bleeding knuckles (which I am sure that the various chemicals I will need to use to dissolve the minerals will be good for). Anyway, I turned on the shower and fiddled with the hot and cold until it felt kinda right and jumped in. It was a bracing shower that definitely got the blood pumping. The water pressure is ok if you jack around with the knobs, but it seems that it sometimes only lets cold water go to the shower, and others only hot, and then a little bit in between at times. This change in temperatures happens all of a sudden, not a gradual heating and cooling. One minute it is just right, the next you are freezing and then you are at a rolling boil and then back to sub arctic, and you never know which direction it will take you. So that is what I will be attempting to do this weekend. I will be working at Ceramics Canada, and then off to the pub for some Guinness to celebrate St. Paddy’s day. After a few beers, I should be in perfect shape to fix a shower, right? Maybe I will blog about the experience so others can share the pain, tears and potential exhilaration when it all comes together and culminates in my being able to have a comfortable shower (don’t worry. If not, there is a YWCA down the road from my house sorta on the way to work. Wonder if they would let me use their shower?

On another note, I purchased my first bag of dried lac beetle excretions. I mixed up an 8oz jar of shellac in a 2lb cut ratio last night. Alright, I guess I need to admit that I guessed at the quantities, I roughly split the 4oz bag into 2 portions by sight and feel. The bag I bought was a 4oz bag, and according to the website that gave me the directions, I “measured” out 2 oz of the flakes, and then added 8oz of isopropyl alcohol (cheaper than using the drinkable kind). I knew it would take a while to dissolve, so I put the lid on and went to bed. I woke up this morning to check on my shellac and there is what appears to be a solid mass of shellac at the bottom with a rather amber coloured liquor on top

I did not attempt to stir, but vigorous shaking would not dislodge the mass. I will poke at it tonight when I get home. The next step is the task of straining out the potential bug carcasses that may be present, as advised by the instructions in the bag. So I will set up a coffee filter straining rig tonight too. I am excited to start using this concoction. I only mixed up half of what I bought, as I found out online that shellac made from un waxed flakes will only be good for up to 6 months. After that, it may not harden as well. I am pretty sure that I will not go through it that fast. Hmmm…just had a thought, I wonder if I could shellac a projected image onto a pot. I could make memorial mugs of all of my grandparents for all of my relatives with a stylized portrait of sorts of each of them. I tried doing this with a mason stain and linseed oil lithography process, but my home made gum arabic went moldy (I tried dissolving the powdered form (from a cake making supplies place) in water, and it worked (after I heated it in the microwave), but did not store well, who knew), and I could never find that perfect image to transfer, they either came out too dark or too light. If I handle all my practice mugs tomorrow night and loosly cover them, they may be dry enough to at least begin the initial shellacking. On top of all this, I have 2 paintings on the go. I had a bunch of clear plastic tubing that I had used to siphon off my terra sigilatta last year that I washed out, cut into short lengths and glued onto the canvas with heavy gel medium. I initially laid down some colour and then the tubing thinking that it would act as an interesting element that would allow the eye to “see into” the painting. I applied a layer of Liquitex modeling paste to hide the cut ends and not so nice areas. This also adds extra dimension to the canvas that can then be painted over. Talk about a lot of projects.